The PreludeNigel Wood |
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Page 30
... tion by a version of a poem untitled at the time it was completed , and unknown to a contemporary public . These circumstances are telling about the ironies of reputation and critical judgement . Wordsworth was probably best known in ...
... tion by a version of a poem untitled at the time it was completed , and unknown to a contemporary public . These circumstances are telling about the ironies of reputation and critical judgement . Wordsworth was probably best known in ...
Page 75
... tion is not on the side of ' freedom ' but of reification . By negating social space for the sake of ' solitude ' the subject is divorced from the sphere of everyday life . " A more sophisticated version of the spatial subject has been ...
... tion is not on the side of ' freedom ' but of reification . By negating social space for the sake of ' solitude ' the subject is divorced from the sphere of everyday life . " A more sophisticated version of the spatial subject has been ...
Page 179
... tion . As a result , therefore , physical space ceases to be of any concern to either philosophical Idealism or Marxism . 3 See , for example , Kristin Ross on the Communards ' levelling of the Colonne Vendôme ( Ross 1988 : 5-8 ) . 4 ...
... tion . As a result , therefore , physical space ceases to be of any concern to either philosophical Idealism or Marxism . 3 See , for example , Kristin Ross on the Communards ' levelling of the Colonne Vendôme ( Ross 1988 : 5-8 ) . 4 ...
Contents
Paul de Man and Imaginative Consolation in The Prelude | 27 |
Topoanalysis and Subjectivity | 60 |
Foucault and the New History | 98 |
Copyright | |
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aesthetic answer argues attempt authority autobiography becomes begin body Book called claim close Coleridge concerned constructed context critical cultural described desire detail determined discipline discourse earlier effect English essay example existence experience fact feeling figure follows force Foucault function given gives horizon idea identify ideology imagination individual interest interpretation interrogative Jauss kind knowledge language less limits lines literary literature Man's material meaning mental mind mode narrative nature never object original particular passage past poem poet poetic poetry political position possibility practice Prelude present problem production professional question reader reading reality recent reference regarded relation rhetorical Romantic scene seems sense social space spatial structure textual theoretical theory things thought tion traditional trope truth turn understanding voice whole Wordsworth writing