The PreludeNigel Wood |
From inside the book
Results 1-3 of 15
Page 2
... regarded as a departure from genuine poetry . Better to be the creator of ' Tintern Abbey ' with its desire to take away ' the heat and fever ' and so ease ' the Burden of the Mystery ' than to dabble in the philosophical ' axioms ' of ...
... regarded as a departure from genuine poetry . Better to be the creator of ' Tintern Abbey ' with its desire to take away ' the heat and fever ' and so ease ' the Burden of the Mystery ' than to dabble in the philosophical ' axioms ' of ...
Page 27
... regarded not as the result of experience but rather as the effect of the mind's set of categories by which experience is processed and made intelligible . Necessary , a priori , conditions of experience , such as those of space and time ...
... regarded not as the result of experience but rather as the effect of the mind's set of categories by which experience is processed and made intelligible . Necessary , a priori , conditions of experience , such as those of space and time ...
Page 29
... regarded as running counter to the avowed argument . Cook , however , does not accept de Man's overall view of Wordsworth's revisionary reflections ( not just in the 1850 ver- sion but within the retrospective moments of the 1805 text ) ...
... regarded as running counter to the avowed argument . Cook , however , does not accept de Man's overall view of Wordsworth's revisionary reflections ( not just in the 1850 ver- sion but within the retrospective moments of the 1805 text ) ...
Contents
Paul de Man and Imaginative Consolation in The Prelude | 27 |
Topoanalysis and Subjectivity | 60 |
Foucault and the New History | 98 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic answer argues attempt authority autobiography becomes begin body Book called claim close Coleridge concerned constructed context critical cultural described desire detail determined discipline discourse earlier effect English essay example existence experience fact feeling figure follows force Foucault function given gives horizon idea identify ideology imagination individual interest interpretation interrogative Jauss kind knowledge language less limits lines literary literature Man's material meaning mental mind mode narrative nature never object original particular passage past poem poet poetic poetry political position possibility practice Prelude present problem production professional question reader reading reality recent reference regarded relation rhetorical Romantic scene seems sense social space spatial structure textual theoretical theory things thought tion traditional trope truth turn understanding voice whole Wordsworth writing