The PreludeNigel Wood |
From inside the book
Results 1-3 of 31
Page 41
... never die , Effort , and expectation , and desire , And something evermore about to be . ( 1805 , VI : 538-42 ) This , according to de Man , gives one aspect of the imagination : a power that directs us towards the future , projecting ...
... never die , Effort , and expectation , and desire , And something evermore about to be . ( 1805 , VI : 538-42 ) This , according to de Man , gives one aspect of the imagination : a power that directs us towards the future , projecting ...
Page 61
... never fixed and inert ; the ways in which they are exploited to become productive , or even divided up to facilitate the leisure industry , all leave their mark . ' Space ' always signifies something about communal intentions , and it ...
... never fixed and inert ; the ways in which they are exploited to become productive , or even divided up to facilitate the leisure industry , all leave their mark . ' Space ' always signifies something about communal intentions , and it ...
Page 114
... Never before in English history had it been possible to think that the canon might belong to the people , to readers . From that moment , the canon became a set of commodities to be consumed ; it became literature rather than poetry ...
... Never before in English history had it been possible to think that the canon might belong to the people , to readers . From that moment , the canon became a set of commodities to be consumed ; it became literature rather than poetry ...
Contents
Paul de Man and Imaginative Consolation in The Prelude | 27 |
Topoanalysis and Subjectivity | 60 |
Foucault and the New History | 98 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
aesthetic answer argues attempt authority autobiography becomes begin body Book called claim close Coleridge concerned constructed context critical cultural described desire detail determined discipline discourse earlier effect English essay example existence experience fact feeling figure follows force Foucault function given gives horizon idea identify ideology imagination individual interest interpretation interrogative Jauss kind knowledge language less limits lines literary literature Man's material meaning mental mind mode narrative nature never object original particular passage past poem poet poetic poetry political position possibility practice Prelude present problem production professional question reader reading reality recent reference regarded relation rhetorical Romantic scene seems sense social space spatial structure textual theoretical theory things thought tion traditional trope truth turn understanding voice whole Wordsworth writing