The PreludeNigel Wood |
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Page 78
... aesthetic enervation . The New Historicist subject is therefore as empty and inadequate as the Romantic archetype it was meant to replace . But if the latter can be forgiven for its epistemological naivety must we continue to make ...
... aesthetic enervation . The New Historicist subject is therefore as empty and inadequate as the Romantic archetype it was meant to replace . But if the latter can be forgiven for its epistemological naivety must we continue to make ...
Page 127
... aesthetic effects of the work , and does not just hunt after authorial intention . This results in a fusion of history and aesthetics : The aesthetic implication lies in the fact that the first reception of a work by the reader includes ...
... aesthetic effects of the work , and does not just hunt after authorial intention . This results in a fusion of history and aesthetics : The aesthetic implication lies in the fact that the first reception of a work by the reader includes ...
Page 191
... Aesthetic of Reception . Minneapolis , MN ) . Jauss , Hans Robert ( 1982a ) Aesthetic Experience and Literary Hermeneutics , trans . Michael Shaw . Minneapolis , MN . Jauss , Hans Robert ( 1982b ) Toward an Aesthetic of Reception ...
... Aesthetic of Reception . Minneapolis , MN ) . Jauss , Hans Robert ( 1982a ) Aesthetic Experience and Literary Hermeneutics , trans . Michael Shaw . Minneapolis , MN . Jauss , Hans Robert ( 1982b ) Toward an Aesthetic of Reception ...
Contents
Paul de Man and Imaginative Consolation in The Prelude | 27 |
Topoanalysis and Subjectivity | 60 |
Foucault and the New History | 98 |
Copyright | |
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aesthetic answer argues attempt authority autobiography becomes begin body Book called claim close Coleridge concerned constructed context critical cultural described desire detail determined discipline discourse earlier effect English essay example existence experience fact feeling figure follows force Foucault function given gives horizon idea identify ideology imagination individual interest interpretation interrogative Jauss kind knowledge language less limits lines literary literature Man's material meaning mental mind mode narrative nature never object original particular passage past poem poet poetic poetry political position possibility practice Prelude present problem production professional question reader reading reality recent reference regarded relation rhetorical Romantic scene seems sense social space spatial structure textual theoretical theory things thought tion traditional trope truth turn understanding voice whole Wordsworth writing