The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 pages |
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Page 353
... Titus Andronicus as unworthy of Shakespear , though they always allow it to be printed with the other pieces , as the scape - goat , as it were , of their abusive criticism . The correct method in such an investigation is first to ...
... Titus Andronicus as unworthy of Shakespear , though they always allow it to be printed with the other pieces , as the scape - goat , as it were , of their abusive criticism . The correct method in such an investigation is first to ...
Page 354
... Titus Andronicus , grown childish through grief , for a fly which had been struck dead , and his rage afterwards when he imagines he discovers in it his black enemy , we recognize the future poet of Lear . Are the critics afraid that ...
... Titus Andronicus , grown childish through grief , for a fly which had been struck dead , and his rage afterwards when he imagines he discovers in it his black enemy , we recognize the future poet of Lear . Are the critics afraid that ...
Page 355
... Titus Andronicus , and must be at the same time re- solved in the affirmative or negative . 2. Pericles , Prince of Tyre . This piece was acknowledged by Dryden , but as a youthful work of Shakespear . It is most undoubtedly his , and ...
... Titus Andronicus , and must be at the same time re- solved in the affirmative or negative . 2. Pericles , Prince of Tyre . This piece was acknowledged by Dryden , but as a youthful work of Shakespear . It is most undoubtedly his , and ...
Contents
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
Copyright | |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth