Publications of the Modern Language Association of America, Volume 8; Volume 15Modern Language Association of America, 1900 - Philology, Modern Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography. |
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Results 1-5 of 99
Page 3
... no antecedent for the pronoun " they . " A comparison with the other versions shows that Aunger and his wife are probably meant . overcome in the battle ( 70-71 ) . Havelok conquers THE LAMBETH VERSION OF HAVELOK . 3.
... no antecedent for the pronoun " they . " A comparison with the other versions shows that Aunger and his wife are probably meant . overcome in the battle ( 70-71 ) . Havelok conquers THE LAMBETH VERSION OF HAVELOK . 3.
Page 4
... show that the Interpolation cannot be derived from the English romance and that it is closer to Gaimar than to the Lay . The most noteworthy thing discovered by a comparison of incidents is the omission in the Interpolation of ...
... show that the Interpolation cannot be derived from the English romance and that it is closer to Gaimar than to the Lay . The most noteworthy thing discovered by a comparison of incidents is the omission in the Interpolation of ...
Page 8
... show a change from what must have been the original form of the story . It seems reasonable to suppose that there was a marriage , that Argentille's friends . should become angry at her disgrace and the seizing of the kingdom by a ...
... show a change from what must have been the original form of the story . It seems reasonable to suppose that there was a marriage , that Argentille's friends . should become angry at her disgrace and the seizing of the kingdom by a ...
Page 12
... shows that it was also found in the lost French version . Gaimar omitted it in his condensa- tion , the Lay changed it in giving the romance its courtly tone , while the English version and the Interpolation have preserved the original ...
... shows that it was also found in the lost French version . Gaimar omitted it in his condensa- tion , the Lay changed it in giving the romance its courtly tone , while the English version and the Interpolation have preserved the original ...
Page 13
... shows an entire modification of the early Danish events in order to carry out an extended dupli- cation of the ... show what its original had to say about the early Danish part of the story . ( 3 ) The Lambeth Interpolation states ...
... shows an entire modification of the early Danish events in order to carry out an extended dupli- cation of the ... show what its original had to say about the early Danish part of the story . ( 3 ) The Lambeth Interpolation states ...
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Common terms and phrases
amie Arthur associations autem bien Breton Breton lay Caradoc ceste Compare cuius declension Dieu Diex eciam edition eius English eorum episode feminine fere French Friar Rush Frier Gaimar gender German Gradlon Graelent Guiron Harsnet's Havelok Henry Henry VI hero Horace Horace's igitur illi imperatoris Interpolation ipse ipsius Jhesucrist king King Horn knight Kön l'en language Lanval Lanvaux Latin meaning Meriadoc Middle High German mort moult neuter Nigro Saltu Old Norse original play plural poem poet Pope pucele Qu'el Qu'il quam quia quibus quippe quod quoque regis Robin Goodfellow rois romance Sagen Sagenbuch sanz sapience satire says scene seems sibi speech stems ending story Strife sunt syntax Talbot tamen Tayler thee Tiler tion Tipple transition uero uiro usage wife words
Popular passages
Page 92 - The quality of mercy is not strained, It droppeth as the gentle rain from heaven Upon the place beneath. It is twice blessed: It blesseth him that gives, and him that takes...
Page 292 - Glory is like a circle in the water, Which never ceaseth to enlarge itself, Till, by broad spreading, it disperse to nought.
Page 91 - So nigh is grandeur to our dust, So near is God to man, When Duty whispers low, Thou must, The youth replies, I can...
Page 86 - CALM is the morn without a sound, Calm as to suit a calmer grief, And only thro' the faded leaf The chestnut pattering to the ground : Calm and deep peace on this high wold, And on these dews that drench the furze, And all the silvery gossamers That twinkle into green and gold : Calm and still light on yon great plain That sweeps with all its autumn bowers, And crowded...
Page 88 - No more — no more — no more" — (Such language holds the solemn sea To the sands upon the shore) Shall bloom the thunder-blasted tree, Or the stricken eagle soar! And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams — In what ethereal dances, By what eternal streams!
Page 167 - ... relaxations of his genius. This employment became his favourite by its facility ; the plan was ready to his hand, and nothing was required but to accommodate as he could the sentiments of an old author to recent facts or familiar images ; but what is easy is seldom excellent ; such imitations cannot give pleasure to common readers ; the man of learning may be sometimes surprised and delighted by an unexpected parallel; but the comparison requires knowledge of the original, which, will likewise...
Page 87 - And only thro' the faded leaf The chestnut pattering to the ground: Calm and deep peace on this high wold, And on these dews that drench the furze, And all the silvery gossamers That twinkle into green and gold: Calm and still light on yon great plain That sweeps with all its autumn bowers, And crowded farms and lessening towers, To mingle with the bounding main: Calm and deep peace in this wide air, These leaves that redden to the fall; And in my heart, if calm at all, If any calm, a calm despair:...
Page 112 - ... we may about the best way of teaching English literature we are likely to agree that this series is built in the main upon the right lines. It is unexceptionable in its outward form and habit. It gives us in every case a clearly printed text, sufficiently annotated, but not, as a rule, overweighted with pedantic comments ; a biographical and critical introduction ; a bibliography, through which the student can find his way to the literary and historical setting of the particular classic on which...
Page 183 - Farewell then verse, and love, and every toy, The rhymes and rattles of the man or boy ; What right, what true, what fit we justly call, Let this be all my care — for this is all . To lay this harvest up, and hoard with haste "What every day will want.
Page 89 - AFFECTIONS, Instincts, Principles, and Powers, Impulse and Reason, Freedom and Control — So men, unravelling God's harmonious whole, Rend in a thousand shreds this life of ours. Vain labour ! Deep and broad, where none may see, Spring the foundations of that shadowy throne Where man's one nature, queen-like, sits alone, Centred in a majestic unity...