The Poets on the Classics: An Anthology of English Poets' Writings on the Classical Poets and Dramatists from Chaucer to the Present
Routledge, 1988 - Classical literature - 273 pages
Ernst Cassirer occupies a unique space in Twentieth-century philosophy. A great liberal humanist, his multi-faceted work spans the history of philosophy, the philosophy of science, intellectual history, aesthetics, epistemology, the study of language and myth, and more.
The Philosophy of Symbolic Forms is Cassirer's most important work. It was first published in German in 1923, the third and final volume appearing in 1929. In it Cassirer presents a radical new philosophical worldview - at once rich, creative and controversial - of human beings as fundamentally "symbolic animals", placing signs and systems of expression between themselves and the world.
This major new translation, the first for over fifty years, brings Cassirer's magnum opus to a new generation of students and scholars.
Volume 2: Mythical Thought considers the role of myth in human thought and expression. Cassirer examines the main features of morphology of myth before tackling the relationship between myth and self-consciousness. He argues that human beings' experience of the world around them is charged with affective and emotional significance, as desirable or hateful, comforting or threatening. It is this type of meaning which underlies mythical consciousness and explains its disregard for the distinction between appearance and reality. From mythical thought religion and art develop, Cassirer argues, making the mythical view of the world the earliest form of philosophical expression.
Correcting important errors in previous English editions, this translation reflects the contributions of significant advances in Cassirer scholarship over the last twenty to thirty years. Each volume includes a new introduction and translator's notes by S. G. Lofts, a foreword by Peter Gordon, a glossary of key terms, and a thorough index.
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Keats drew on the play for Hyperion ; Shelley translated it , orally , to Byron and to Medwin , and took it as his point of departure in Prometheus Unbound . He also considered his Hellas ' a sort of imita- tion of The Persians ' .
Amongst the several plays , the Plutus proved the most popular in the Renaiss- ance , as in certain other eras ; it is said ... have furnished some of the materials for Timon of Athens from the lost play Timon via Plutarch and Lucian .
The most popular play was again the Plutus , the least typically Aristophanic and the nearest to the New Comedy . It was this play which Fielding ( 44 ) and Young translated ( 1742 ) , as the first of what proved an abortive series of ...
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The Classics Generally
Catalogues and Visions
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