The Poets on the Classics: An Anthology of English Poets' Writings on the Classical Poets and Dramatists from Chaucer to the PresentErnst Cassirer occupies a unique space in Twentieth-century philosophy. A great liberal humanist, his multi-faceted work spans the history of philosophy, the philosophy of science, intellectual history, aesthetics, epistemology, the study of language and myth, and more. The Philosophy of Symbolic Forms is Cassirer's most important work. It was first published in German in 1923, the third and final volume appearing in 1929. In it Cassirer presents a radical new philosophical worldview - at once rich, creative and controversial - of human beings as fundamentally "symbolic animals", placing signs and systems of expression between themselves and the world. This major new translation, the first for over fifty years, brings Cassirer's magnum opus to a new generation of students and scholars. Volume 2: Mythical Thought considers the role of myth in human thought and expression. Cassirer examines the main features of morphology of myth before tackling the relationship between myth and self-consciousness. He argues that human beings' experience of the world around them is charged with affective and emotional significance, as desirable or hateful, comforting or threatening. It is this type of meaning which underlies mythical consciousness and explains its disregard for the distinction between appearance and reality. From mythical thought religion and art develop, Cassirer argues, making the mythical view of the world the earliest form of philosophical expression. Correcting important errors in previous English editions, this translation reflects the contributions of significant advances in Cassirer scholarship over the last twenty to thirty years. Each volume includes a new introduction and translator's notes by S. G. Lofts, a foreword by Peter Gordon, a glossary of key terms, and a thorough index. |
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No modern English poet has been more thoroughly steeped in Greek verse ; in Swinburne's case , this was at the expense of Rome ( only two of whose poets were included in his list of his hundred best books ) .
Pope himself once included him in a list of only eight ' unexceptionally excellent ' Roman poets ; his Rape of the Lock draws ultimately on Catullus LXVI ( The Lock of Berenice ) for its central theme , and echoes the Sparrow directly ...
Significantly , Sappho was not included in Thomas Stanley's 1651 version of Greek lyric fragments and poems Anacreon , Bion and Moschus being represented instead . Stanley here followed a pattern set by the early Continental editors and ...
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Contents
General Introduction | 1 |
The Classics Generally | 21 |
Catalogues and Visions | 23 |
Copyright | |
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