Some in the fields of purest Ether play, And bask and whiten in the blaze of day. Or dip their pinions in the painted bow, Or brew fierce tempests on the wintry main, Or o'er the glebe distil the kindly rain. Watch all their ways, and all their actions guide: NOTES. 80 85 Shakspeare only could have thought of the following gratifications for Titania's lover; and they are fit only to be offered to her lover by a fairy-queen. "Be kind and courteous to this gentleman, And pluck the wings from painted butterflies, If it should be thought, that Shakspeare has the merit of being the first who assigned proper employments to imaginary persons, in the foregoing lines, yet it must be granted, that by the addition of the most delicate satire to the most lively fancy, Pope, in a following passage (ver. 91), has equalled any thing in Shak speare, or perhaps in any other author. Ver. 90. And guard with Arms] The Poet was too judicious to desire this should be understood as a compliment. He in Our humble province is to tend the Fair, Not a less pleasing, tho' less glorious care; To save the powder from too rude a gale, Nor let th' imprison'd essences exhale; 91 To draw fresh colours from the vernal flow'rs; 95 100 This day, black Omens threat the brightest Fair That e'er deserv'd a watchful spirit's care; Some dire disaster, or by force, or slight; 105 But what, or where, the fates have wrapt in night. Or whether Heav'n has doom'd that Shock must fall. NOTES. tended it for a mere piece of raillery; such as he more openly pursues on another occasion; when he says, "Where's now the Star which lighted Charles to rise? Angels, that watch'd the Royal Oak so well, How chanc'd you slept when luckless Sorrel fell?" W. Ver. 105. Whether the nymph, &c.] The disaster, which makes the subject of this poem, being a trifle, taken seriously; it naturally led the Poet into this fine satire on the female estimate of human mischances. W, Ver. 112. Zephyretta] The names of his Sylphs are happily 115 The drops to thee, Brillante, we consign; 121 126 NOTES. chosen. Castlevetro mentions an odd circumstance, that the names which Boiardo gave to his heroes in his Orlando Inamorato, were only the names of some of the principal tenants and peasants on his estate of Scandiano. Ver. 118. the Petticoat :] It is impossible here not to recollect that matchless piece of raillery and exquisite humour, of Addison, in the 127th Spectator, on this important part of female dress. Ver. 125. Shall feel sharp] Our poet still rises in the delicacy of his satire, where he employs, with the utmost judgment and elegance, all the implements and furniture of the toilet, as instruments of punishment to those spirits, who shall be careless IMITATIONS. W. Ver. 119. clypei dominus septemplicis Ajax. Ovid. "Thus the broad shield complete the Artist crown'd, In living Silver seem'd the waves to roll, And beat the Buckler's verge, and bound the whole." W. Or plung'd in lakes of bitter washes lie, While clogg'd he beats his silken wings in vain ; NOTES. 131 135 140 of their charge; of punishment, such as Sylphs alone could undergo. If Virgil has merited such perpetual commendation for exalting his bees, by the majesty and magnificence of his diction, does not Pope deserve equal praises, for the pomp and lustre of his language, on so trivial a subject? CLOSE by those meads, for ever crown'd with 5 Where Thames with pride surveys his rising tow'rs, To taste awhile the pleasures of a Court; Who gave the ball, or paid the visit last; Snuff, or the fan, supply each pause of chat, 10 15 VARIATIONS. Ver. 1. Close by those meads,] The first edition continues from this line to ver. 24 of this Canto. P. Ver. 11, 12. Originally in the first edition, In various talk the cheerful hours they past, P. |