Genre, Volume 9University of Illinois at Chicago Circle, 1976 - Criticism |
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Page 266
... imagination.11 More recently , Russel B. Nye has argued for three essential similarities between the historian and the literary artist : the conscious exploitation of symbolic language , the imaginative evocation of the total feel of ex ...
... imagination.11 More recently , Russel B. Nye has argued for three essential similarities between the historian and the literary artist : the conscious exploitation of symbolic language , the imaginative evocation of the total feel of ex ...
Page 268
... imagination and reason . Throughout the first half of the book , imagination dominates dangerously because of Edward's early training . The loss of his mother and the indulgence of his tutor allowed him to concentrate on romantic ...
... imagination and reason . Throughout the first half of the book , imagination dominates dangerously because of Edward's early training . The loss of his mother and the indulgence of his tutor allowed him to concentrate on romantic ...
Page 271
... imagination and never completely loses its hold , although its personal bias soon be- comes clear . Mr. Compson's ... imaginative identification with the ob- jects of their search , they become Quentin - Henry and Shreve - Bon . They ...
... imagination and never completely loses its hold , although its personal bias soon be- comes clear . Mr. Compson's ... imaginative identification with the ob- jects of their search , they become Quentin - Henry and Shreve - Bon . They ...
Contents
The Submerged Sonnet as Lyric Moment in Miltonic Epic | 21 |
The Structure of the Augustan Couplet | 37 |
Adam Bede as a Pastoral | 59 |
Copyright | |
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action Ages appear audience becomes beginning called century characters comedy comic confession couplets critics direct discussion drama effect English epigram example experience expression fabliaux fact fiction figure final follows force genre give grotesque hand Henry human husband imagination important individual interest John kind language later less lines literary literature lives lover lyric meaning medieval MICHIGAN Middle mind moral narratee narrative nature never novel object offers original pattern perhaps Plautus play plot poem poet possible present Press provides question reader reality reason references represent role romance satire scene seems sense shepherds situation social sonnet stage story structure suggests things tion tradition truth turn University whole wife writing York young