Genre, Volume 9University of Illinois at Chicago Circle, 1976 - Criticism |
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Page 29
... follow the example of the nightingale and " feed on thoughts , that voluntary move / Harmonious numbers " ( PL , III , 37-38 ) , despite his blindness . The fifteen and a half lines , which follow his identification with the " wakeful ...
... follow the example of the nightingale and " feed on thoughts , that voluntary move / Harmonious numbers " ( PL , III , 37-38 ) , despite his blindness . The fifteen and a half lines , which follow his identification with the " wakeful ...
Page 50
... follows substantially the same rules that the Rape does , and can be said to differ from the Pope chiefly in its ... follow its nature , which is , of course , a set of directions and tendencies inductively ar- rived at , rules ...
... follows substantially the same rules that the Rape does , and can be said to differ from the Pope chiefly in its ... follow its nature , which is , of course , a set of directions and tendencies inductively ar- rived at , rules ...
Page 239
... follow but shade into those events . " Consequently , " the dramatic monologue must be read not as a definitive unit , a complete action , but as a characteristic and characterizing episode in the speaker's career . 9914 13 J. Hillis ...
... follow but shade into those events . " Consequently , " the dramatic monologue must be read not as a definitive unit , a complete action , but as a characteristic and characterizing episode in the speaker's career . 9914 13 J. Hillis ...
Contents
The Submerged Sonnet as Lyric Moment in Miltonic Epic | 21 |
The Structure of the Augustan Couplet | 37 |
Adam Bede as a Pastoral | 59 |
Copyright | |
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action Ages appear audience becomes beginning called century characters comedy comic confession couplets critics direct discussion drama effect English epigram example experience expression fabliaux fact fiction figure final follows force genre give grotesque hand Henry human husband imagination important individual interest John kind language later less lines literary literature lives lover lyric meaning medieval MICHIGAN Middle mind moral narratee narrative nature never novel object offers original pattern perhaps Plautus play plot poem poet possible present Press provides question reader reality reason references represent role romance satire scene seems sense shepherds situation social sonnet stage story structure suggests things tion tradition truth turn University whole wife writing York young