An Abridgement of Lectures on Rhetoric |
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Page 18
... called , whether afforded us by natural objects , or by imitations and descriptions of them . It is not , however , necessary to the purpose of the present work , that all these be ex- amined fully ; the pleasure , which we receive from ...
... called , whether afforded us by natural objects , or by imitations and descriptions of them . It is not , however , necessary to the purpose of the present work , that all these be ex- amined fully ; the pleasure , which we receive from ...
Page 25
... called upon the Lord ; he heard my voice out of his temple , and my cry came before him . Then the earth shook and trem- bled ; the foundations of the hills were moved ; be- cause he was wroth . He bowed the heavens , and came down ...
... called upon the Lord ; he heard my voice out of his temple , and my cry came before him . Then the earth shook and trem- bled ; the foundations of the hills were moved ; be- cause he was wroth . He bowed the heavens , and came down ...
Page 30
... called the sublime style , is for the most part a very bad one , and has no relation what- ever to the true sublime . Writers are apt to imagine , that splendid words , accumulated epithets , and a cer- tain swelling kind of expression ...
... called the sublime style , is for the most part a very bad one , and has no relation what- ever to the true sublime . Writers are apt to imagine , that splendid words , accumulated epithets , and a cer- tain swelling kind of expression ...
Page 37
... called imitative ; and this is the case in all dramatic composition . But in narrative or de- scriptive works it cannot with propriety be so called . Who , for example , would call Virgil's description of a tempest in the first neid an ...
... called imitative ; and this is the case in all dramatic composition . But in narrative or de- scriptive works it cannot with propriety be so called . Who , for example , would call Virgil's description of a tempest in the first neid an ...
Page 40
... called inter- jections , uttered in a strong and passionate manner , were undoubtedly the elements of speech . When more enlarged communications became re- quisite , and names began to be applied to objects , how can we suppose men ...
... called inter- jections , uttered in a strong and passionate manner , were undoubtedly the elements of speech . When more enlarged communications became re- quisite , and names began to be applied to objects , how can we suppose men ...
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Common terms and phrases
abounds action admit Æneid agreeable ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise critics degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed English English language epic poem epic poetry excel exhibit expression fancy fault figure founded French frequently genius Give an example grace Greek Greek tragedy guage hearers Hence Homer human ideas Iliad imagination imitation instance introduced invention kind language Livy Lusiad manner metaphor Milton mind mode modern moral motion narration nature never nouns objects observed orator ornament painting Paradise Lost passion pastoral pastoral poetry pathetic pause peculiar perfect perspicuity Pharsalia pleasing pleasures poet poetical proper propriety public speaking racter render requisite rule scene sense sentence sentiments simplicity sound speaker species speech spirit strength strong style sublime syllable Tacitus taste tence thing thought Thucydides tion tragedy unity variety verse Virgil words writing
Popular passages
Page 185 - And the parched ground shall become a pool, and the thirsty land springs of water: in the habitation of dragons, where each lay, shall be grass with reeds and rushes.
Page 88 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Page 114 - A man of a polite imagination is let into a great many pleasures that the vulgar are not capable of receiving. He can converse with a picture, and find an agreeable companion in 'a statue. He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows, than another does in the possession.
Page 182 - Hermes, or unsphere The spirit of Plato, to unfold What worlds or what vast regions hold The immortal mind that hath forsook Her mansion in this fleshly nook...
Page 90 - Earth felt the wound, and Nature from her seat Sighing through all her Works gave signs of woe, That all was lost.
Page 182 - Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Page 111 - We cannot indeed have a single image in the fancy that did not make its first entrance through the sight; but we have the power of retaining, altering, and compounding those images which we have once received, into all the varieties of picture and vision that are most agreeable to the imagination...
Page 185 - He that ruleth over men must be just, ruling in the fear of God ; and he shall be as the light of the morning, when the sun riseth, even a morning without clouds ; as the tender grass springing out of the earth by clear shining after rain.
Page 174 - Saepibus in nostris parvam te roscida mala (dux ego vester eram) vidi cum matre legentem. alter ab undecimo tum me iam acceperat annus; iam fragilis poteram ab terra contingere ramos. 40 ut vidi ut perii, ut me malus abstulit error.
Page 186 - The mountains saw thee, and they trembled : the overflowing of the water passed by : the deep uttered his voice, and lifted up his hands on high.