Voice and Crisis: Invocation in Milton's Poetry |
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Page 25
... structure seems to correspond precisely with the Greek ode's pattern of strophe ( lines 1-16 ) , antistrophe ( 17-24 ) , and epode ( 25-28 ) —moving from heaven's high chorus to earth's fallen one and , finally , to our hoped - for ...
... structure seems to correspond precisely with the Greek ode's pattern of strophe ( lines 1-16 ) , antistrophe ( 17-24 ) , and epode ( 25-28 ) —moving from heaven's high chorus to earth's fallen one and , finally , to our hoped - for ...
Page 56
... structure are a number of smaller patterns where lesser ascents and descents are followed . The whole is a great vision of rising and falling action . " This structure is reinforced by verbal texture : " A diagram of the skeleton of ...
... structure are a number of smaller patterns where lesser ascents and descents are followed . The whole is a great vision of rising and falling action . " This structure is reinforced by verbal texture : " A diagram of the skeleton of ...
Page 58
... structural relationship of the four invocations is thus a doubled progression in which both sides mirror one another ... structure that the invocations are " carefully spaced so that we never lose sight of this human composer , " who ...
... structural relationship of the four invocations is thus a doubled progression in which both sides mirror one another ... structure that the invocations are " carefully spaced so that we never lose sight of this human composer , " who ...
Contents
The Pattern of Invocation in Miltons Poetry | 11 |
Paradise Lost | 45 |
Voice and Crisis | 63 |
Copyright | |
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Common terms and phrases
Adam appear attempt becomes beginning blind Book Cambridge Christian classical create crisis Criticism dark descent divine early echoes edition enemies English epic example experience express eyes fair Fall father final hast hear heard heart Heav'n holy hope human hymn imagination inspiration invocation invokes John Milton L'Allegro later light living London Lord Lycidas lyric man's Milton mind Muse Nativity nature once opening Orpheus Paradise Lost passage pastoral pattern perhaps poem poet poet's poetic poetry possible praise prayer presence present Psalms reader Regained relation religious remember Return Samson Satan secret seems sense sing song soul spirit story structure Studies thee theme things thou tion tradition Trans transcendent translation triumph true turn ultimate University Press unto verse vision vocation voice York