Voice and Crisis: Invocation in Milton's Poetry |
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Page 14
... present celebration , but the poem " acquires , even in its brief compass , the encyclopedic character prescribed by Renaissance critics . as a feature of epic poetry . " Thus , in a sense , Milton comes into his poetic maturity at the ...
... present celebration , but the poem " acquires , even in its brief compass , the encyclopedic character prescribed by Renaissance critics . as a feature of epic poetry . " Thus , in a sense , Milton comes into his poetic maturity at the ...
Page 15
... present tense — a labor secured in emphatically temporal terms in the pivotal eighteenth stanza : And then at last our bliss Full and perfet is , But now begins . . · ( 165-67 ) With these lines , a new confidence carries the poem ...
... present tense — a labor secured in emphatically temporal terms in the pivotal eighteenth stanza : And then at last our bliss Full and perfet is , But now begins . . · ( 165-67 ) With these lines , a new confidence carries the poem ...
Page 91
... present in Satan's speech ( " with no friendly voice " ) ; but Satan , here alone for the first time in the epic drama , presents a weaker version of that self he can project in dialectical discourse or before great audiences . Alone ...
... present in Satan's speech ( " with no friendly voice " ) ; but Satan , here alone for the first time in the epic drama , presents a weaker version of that self he can project in dialectical discourse or before great audiences . Alone ...
Contents
The Pattern of Invocation in Miltons Poetry | 11 |
Paradise Lost | 45 |
Voice and Crisis | 63 |
Copyright | |
3 other sections not shown
Common terms and phrases
Adam appear attempt becomes beginning blind Book Cambridge Christian classical create crisis Criticism dark descent divine early echoes edition enemies English epic example experience express eyes fair Fall father final hast hear heard heart Heav'n holy hope human hymn imagination inspiration invocation invokes John Milton L'Allegro later light living London Lord Lycidas lyric man's Milton mind Muse Nativity nature once opening Orpheus Paradise Lost passage pastoral pattern perhaps poem poet poet's poetic poetry possible praise prayer presence present Psalms reader Regained relation religious remember Return Samson Satan secret seems sense sing song soul spirit story structure Studies thee theme things thou tion tradition Trans transcendent translation triumph true turn ultimate University Press unto verse vision vocation voice York