Voice and Crisis: Invocation in Milton's Poetry |
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Page 26
... later deeply embedded in Milton's embattled call to Urania in Paradise Lost : Descend from Heav'n Urania , by that name If rightly thou art called .. • ( VII.1-2 ) Perhaps the question is rooted at the deepest level in the ancient ...
... later deeply embedded in Milton's embattled call to Urania in Paradise Lost : Descend from Heav'n Urania , by that name If rightly thou art called .. • ( VII.1-2 ) Perhaps the question is rooted at the deepest level in the ancient ...
Page 30
... later in " Lycidas , " the poet contemplates the " vain deluding joyes " of " Amaryllis in the shade " ( line 68 ) and " the tangles of Neaera's hair " ( 69 ) and asks , ironically , if poetry is not in fact the vainest of all delusions ...
... later in " Lycidas , " the poet contemplates the " vain deluding joyes " of " Amaryllis in the shade " ( line 68 ) and " the tangles of Neaera's hair " ( 69 ) and asks , ironically , if poetry is not in fact the vainest of all delusions ...
Page 43
... later in the poem , prepare the poet's true response to this earlier cry : " Now thou art gon , and never must return ! " For the final movement of the poem is the true " return " of Lycidas , " sunk low , but mounted high " ( line 172 ) ...
... later in the poem , prepare the poet's true response to this earlier cry : " Now thou art gon , and never must return ! " For the final movement of the poem is the true " return " of Lycidas , " sunk low , but mounted high " ( line 172 ) ...
Contents
The Pattern of Invocation in Miltons Poetry | 11 |
Paradise Lost | 45 |
Voice and Crisis | 63 |
Copyright | |
3 other sections not shown
Common terms and phrases
Adam appear attempt becomes beginning blind Book Cambridge Christian classical create crisis Criticism dark descent divine early echoes edition enemies English epic example experience express eyes fair Fall father final hast hear heard heart Heav'n holy hope human hymn imagination inspiration invocation invokes John Milton L'Allegro later light living London Lord Lycidas lyric man's Milton mind Muse Nativity nature once opening Orpheus Paradise Lost passage pastoral pattern perhaps poem poet poet's poetic poetry possible praise prayer presence present Psalms reader Regained relation religious remember Return Samson Satan secret seems sense sing song soul spirit story structure Studies thee theme things thou tion tradition Trans transcendent translation triumph true turn ultimate University Press unto verse vision vocation voice York