Voice and Crisis: Invocation in Milton's Poetry |
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... inspiration . What I hope to show is , first , that the very act of invocation is more pervasive in Milton than has been realized previously ; second , that this pervasive occurrence , together with related themes and images , may have ...
... inspiration . What I hope to show is , first , that the very act of invocation is more pervasive in Milton than has been realized previously ; second , that this pervasive occurrence , together with related themes and images , may have ...
Page 16
... inspiration found in meditating on these scenes in Isaiah and Exodus comes to him in the " secret " place of his own characteristic vision , embodied finally in his blindness . THE FIRST LIGHT Milton is preoccupied in the invocations of ...
... inspiration found in meditating on these scenes in Isaiah and Exodus comes to him in the " secret " place of his own characteristic vision , embodied finally in his blindness . THE FIRST LIGHT Milton is preoccupied in the invocations of ...
Page 46
... inspired by a divine spirit . And the two epic claims of omniscience and divine inspiration are necessarily related , particularly in a book that imitates the Book of God . " The omniscient voice , after all , in order to be omniscient ...
... inspired by a divine spirit . And the two epic claims of omniscience and divine inspiration are necessarily related , particularly in a book that imitates the Book of God . " The omniscient voice , after all , in order to be omniscient ...
Contents
The Pattern of Invocation in Miltons Poetry | 11 |
Paradise Lost | 45 |
Voice and Crisis | 63 |
Copyright | |
3 other sections not shown
Common terms and phrases
Adam appear attempt becomes beginning blind Book Cambridge Christian classical create crisis Criticism dark descent divine early echoes edition enemies English epic example experience express eyes fair Fall father final hast hear heard heart Heav'n holy hope human hymn imagination inspiration invocation invokes John Milton L'Allegro later light living London Lord Lycidas lyric man's Milton mind Muse Nativity nature once opening Orpheus Paradise Lost passage pastoral pattern perhaps poem poet poet's poetic poetry possible praise prayer presence present Psalms reader Regained relation religious remember Return Samson Satan secret seems sense sing song soul spirit story structure Studies thee theme things thou tion tradition Trans transcendent translation triumph true turn ultimate University Press unto verse vision vocation voice York