Voice and Crisis: Invocation in Milton's Poetry |
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Page 1
... classical tradition that was already becoming in his time a province for the memory only , as his title for the chapter playfully asserts : " A battle sung by the muse in the Homerican style , and which none but the classical reader can ...
... classical tradition that was already becoming in his time a province for the memory only , as his title for the chapter playfully asserts : " A battle sung by the muse in the Homerican style , and which none but the classical reader can ...
Page 12
... classical models of epic and invocation , he pours into his invocations a version of the epic subjectivity that Dante had contributed to the tradition . The Dantesque tableau , the intense encounter , becomes in Milton the inward dialec ...
... classical models of epic and invocation , he pours into his invocations a version of the epic subjectivity that Dante had contributed to the tradition . The Dantesque tableau , the intense encounter , becomes in Milton the inward dialec ...
Page 112
... classical precedents in The Club of Hercules : Studies in the Classical Back- ground of Paradise Lost , Illinois Studies in Language and Literature , 50 ( Urbana : University of Illinois Press , 1962 ) 24-39 . 17. The allusion was first ...
... classical precedents in The Club of Hercules : Studies in the Classical Back- ground of Paradise Lost , Illinois Studies in Language and Literature , 50 ( Urbana : University of Illinois Press , 1962 ) 24-39 . 17. The allusion was first ...
Contents
The Pattern of Invocation in Miltons Poetry | 11 |
Paradise Lost | 45 |
Voice and Crisis | 63 |
Copyright | |
3 other sections not shown
Common terms and phrases
Adam appear attempt becomes beginning blind Book Cambridge Christian classical create crisis Criticism dark descent divine early echoes edition enemies English epic example experience express eyes fair Fall father final hast hear heard heart Heav'n holy hope human hymn imagination inspiration invocation invokes John Milton L'Allegro later light living London Lord Lycidas lyric man's Milton mind Muse Nativity nature once opening Orpheus Paradise Lost passage pastoral pattern perhaps poem poet poet's poetic poetry possible praise prayer presence present Psalms reader Regained relation religious remember Return Samson Satan secret seems sense sing song soul spirit story structure Studies thee theme things thou tion tradition Trans transcendent translation triumph true turn ultimate University Press unto verse vision vocation voice York