Voice and Crisis: Invocation in Milton's Poetry |
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Page 23
... Psalms " ( line 15 ) to identify ideal song is particularly interesting , because the Psalms themselves are based on an invocation pattern , and his ideal of singing to the harp's accompaniment is a description of their essential nature ...
... Psalms " ( line 15 ) to identify ideal song is particularly interesting , because the Psalms themselves are based on an invocation pattern , and his ideal of singing to the harp's accompaniment is a description of their essential nature ...
Page 65
... psalms of praise ; it reflects the psalms of distress , and reminds us of the threat to happiness revealed in Eve's " troublesome dream " of the night just passed.2 Though it was Milton's conviction in the composition of Paradise Lost ...
... psalms of praise ; it reflects the psalms of distress , and reminds us of the threat to happiness revealed in Eve's " troublesome dream " of the night just passed.2 Though it was Milton's conviction in the composition of Paradise Lost ...
Page 67
... Psalms . On seven successive days ( Aug. 8-14 ) , he translated Psalms 2 to 8 ( Psalm 1 is " Done into Verse , 1653 , " with the exact date unspecified ) . Most of these ( five of the eight ) are Lament Psalms , and the translations ...
... Psalms . On seven successive days ( Aug. 8-14 ) , he translated Psalms 2 to 8 ( Psalm 1 is " Done into Verse , 1653 , " with the exact date unspecified ) . Most of these ( five of the eight ) are Lament Psalms , and the translations ...
Contents
The Pattern of Invocation in Miltons Poetry | 11 |
Paradise Lost | 45 |
Voice and Crisis | 63 |
Copyright | |
3 other sections not shown
Common terms and phrases
Adam appear attempt becomes beginning blind Book Cambridge Christian classical create crisis Criticism dark descent divine early echoes edition enemies English epic example experience express eyes fair Fall father final hast hear heard heart Heav'n holy hope human hymn imagination inspiration invocation invokes John Milton L'Allegro later light living London Lord Lycidas lyric man's Milton mind Muse Nativity nature once opening Orpheus Paradise Lost passage pastoral pattern perhaps poem poet poet's poetic poetry possible praise prayer presence present Psalms reader Regained relation religious remember Return Samson Satan secret seems sense sing song soul spirit story structure Studies thee theme things thou tion tradition Trans transcendent translation triumph true turn ultimate University Press unto verse vision vocation voice York