English Literature in the Eighteenth Century |
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Page xii
... Imitations of the Spectator . - ―― Page 130 CHAPTER V. The Three Unities . - Conditions Necessary for the Drama . - Early Italian Tragedy ; Trissino . - The Unities in France ; Mairet . — Aristotle on Tragedy . Corneille on the Unities ...
... Imitations of the Spectator . - ―― Page 130 CHAPTER V. The Three Unities . - Conditions Necessary for the Drama . - Early Italian Tragedy ; Trissino . - The Unities in France ; Mairet . — Aristotle on Tragedy . Corneille on the Unities ...
Page 12
... imitations of Vergil and Calpur- nius rather than of the Greek originals . * up In a hasty sketch of the work of centuries , only some- what general statements can be made ; and , without going into further particulars or noting the few ...
... imitations of Vergil and Calpur- nius rather than of the Greek originals . * up In a hasty sketch of the work of centuries , only some- what general statements can be made ; and , without going into further particulars or noting the few ...
Page 16
... imitation . And , to repeat , French literature , like that of Italy , was especially a copy of the Roman literature , which , as I have said , was itself a copy of that of Greece . Just as a light that is re- flected into a dark corner ...
... imitation . And , to repeat , French literature , like that of Italy , was especially a copy of the Roman literature , which , as I have said , was itself a copy of that of Greece . Just as a light that is re- flected into a dark corner ...
Page 18
... imitations of the classics ? These strangers demanded more ceremony . They were translated freely into the leading ... imitation of Greek and Latin , not mere slavish copying . Baïf translated from the Greek ; and in this little band ...
... imitations of the classics ? These strangers demanded more ceremony . They were translated freely into the leading ... imitation of Greek and Latin , not mere slavish copying . Baïf translated from the Greek ; and in this little band ...
Page 19
... imitation of the classics , won the day . After all , the classicism of the Pleiad could scarcely hope to live it was as remote from the popular affection as was the wearing of togas or the observance of the Pana- thenaic festival ...
... imitation of the classics , won the day . After all , the classicism of the Pleiad could scarcely hope to live it was as remote from the popular affection as was the wearing of togas or the observance of the Pana- thenaic festival ...
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Popular passages
Page 137 - Inspired repulsed battalions to engage, And taught the doubtful battle where to rage. So when an angel, by divine command, With rising tempests shakes a guilty land (Such as of late o'er pale Britannia passed), Calm and serene he drives the furious blast ; And, pleased the Almighty's orders to perform. Rides in the whirlwind and directs the storm.
Page 52 - He sought the storms ; but, for a calm unfit, Would steer too nigh the sands to boast his wit.
Page 249 - A brighter wash; to curl their waving hairs, Assist their blushes, and inspire their airs; Nay oft, in dreams, invention we bestow, To change a flounce, or add a furbelow.
Page 53 - In the first rank of these did Zimri stand ;* A man so various, that he seemed to be Not one, but all mankind's epitome : Stiff in opinions, always in the wrong, Was everything by starts, and nothing long; But, in the course of one revolving moon, Was chemist, fiddler, statesman, and buffoon ; Then all for women, painting, rhyming, drinking, Besides ten thousand freaks that died in thinking.
Page 106 - tis all a cheat; Yet, fooled with hope, men favour the deceit; Trust on, and think to-morrow will repay: To-morrow's falser than the former day; Lies worse, and, while it says, we shall be blest With some new joys, cuts off what we possest.
Page 245 - Tis with our judgments as our watches, none Go just alike, yet each believes his own.
Page 389 - In our little journey up to the Grande Chartreuse, I do not remember to have gone ten paces without an exclamation, that there was no restraining. Not a precipice, not a torrent, not a cliff, but is pregnant with religion and poetry.
Page 52 - With public zeal to cancel private crimes. How safe is treason and how sacred ill, Where none can sin against the people's will, "Where crowds can wink and no offence be known, Since in another's guilt they find their own ! Yet fame deserved no enemy can grudge ; The statesman we abhor, but praise the judge.
Page 53 - Blest madman! who could every hour employ With something new to wish or to enjoy. Railing and praising were his usual themes; And both, to show his judgment, in extremes; So over violent, or over civil, That every man with him was god or devil.
Page 23 - That hath a mint of phrases in his brain : One, whom the music of his own vain tongue Doth ravish, like enchanting harmony...