English Literature in the Eighteenth Century |
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Page vii
... fact a real progress through a thousand drawbacks , and every age leaves some foundation upon which the next can build . " This lucid description of the gradual progress of society might , it seems to me , apply perfectly to literature ...
... fact a real progress through a thousand drawbacks , and every age leaves some foundation upon which the next can build . " This lucid description of the gradual progress of society might , it seems to me , apply perfectly to literature ...
Page 2
... fact that civ- ilization was then firmly settled gave a different tone to literature . Earlier , the joyous pride in the possession of national life , which was strongly felt in the time of Eliza- beth , on account of the awakening of ...
... fact that civ- ilization was then firmly settled gave a different tone to literature . Earlier , the joyous pride in the possession of national life , which was strongly felt in the time of Eliza- beth , on account of the awakening of ...
Page 11
... facts connected with the way in which literature developed itself . In the first place , we should bear in mind the ex- tent to which the European knowledge of antiquity is , in the main , a knowledge of Rome , and of Greece through ...
... facts connected with the way in which literature developed itself . In the first place , we should bear in mind the ex- tent to which the European knowledge of antiquity is , in the main , a knowledge of Rome , and of Greece through ...
Page 12
... fact , they were already dead , as was medieval art , and in their place came the inspiring forces of wit , grace , eloquence , and taste . In remoter countries , as Spain and England , the ef- * Symonds , " Renaissance in Italy , " v ...
... fact , they were already dead , as was medieval art , and in their place came the inspiring forces of wit , grace , eloquence , and taste . In remoter countries , as Spain and England , the ef- * Symonds , " Renaissance in Italy , " v ...
Page 24
... fact , it is impossible to overlook a certain resemblance between the literary school of the court at the time of Elizabeth and the neo - romantic æstheticism of the present day . The language and emotions of Bunthorne , for in- stance ...
... fact , it is impossible to overlook a certain resemblance between the literary school of the court at the time of Elizabeth and the neo - romantic æstheticism of the present day . The language and emotions of Bunthorne , for in- stance ...
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Popular passages
Page 137 - Inspired repulsed battalions to engage, And taught the doubtful battle where to rage. So when an angel, by divine command, With rising tempests shakes a guilty land (Such as of late o'er pale Britannia passed), Calm and serene he drives the furious blast ; And, pleased the Almighty's orders to perform. Rides in the whirlwind and directs the storm.
Page 52 - He sought the storms ; but, for a calm unfit, Would steer too nigh the sands to boast his wit.
Page 249 - A brighter wash; to curl their waving hairs, Assist their blushes, and inspire their airs; Nay oft, in dreams, invention we bestow, To change a flounce, or add a furbelow.
Page 53 - In the first rank of these did Zimri stand ;* A man so various, that he seemed to be Not one, but all mankind's epitome : Stiff in opinions, always in the wrong, Was everything by starts, and nothing long; But, in the course of one revolving moon, Was chemist, fiddler, statesman, and buffoon ; Then all for women, painting, rhyming, drinking, Besides ten thousand freaks that died in thinking.
Page 106 - tis all a cheat; Yet, fooled with hope, men favour the deceit; Trust on, and think to-morrow will repay: To-morrow's falser than the former day; Lies worse, and, while it says, we shall be blest With some new joys, cuts off what we possest.
Page 245 - Tis with our judgments as our watches, none Go just alike, yet each believes his own.
Page 389 - In our little journey up to the Grande Chartreuse, I do not remember to have gone ten paces without an exclamation, that there was no restraining. Not a precipice, not a torrent, not a cliff, but is pregnant with religion and poetry.
Page 52 - With public zeal to cancel private crimes. How safe is treason and how sacred ill, Where none can sin against the people's will, "Where crowds can wink and no offence be known, Since in another's guilt they find their own ! Yet fame deserved no enemy can grudge ; The statesman we abhor, but praise the judge.
Page 53 - Blest madman! who could every hour employ With something new to wish or to enjoy. Railing and praising were his usual themes; And both, to show his judgment, in extremes; So over violent, or over civil, That every man with him was god or devil.
Page 23 - That hath a mint of phrases in his brain : One, whom the music of his own vain tongue Doth ravish, like enchanting harmony...