Re-Framing the Theatrical: Interdisciplinary Landscapes for PerformanceAlison Oddey takes us on a spectator's journey engaging with art forms that cross boundaries of categorization. She questions the role of the spectator and director, including interviews with Deborah Warner; the nature of art works and performance with artists Heather Ackroyd, Dan Harvey and Graeme Miller. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic Twenty-First century landscape. |
From inside the book
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Page 71
... viewer think beyond it being a good picture , which is true of what any theatrical text is doing . Likewise , this is also true of the conceptual artist and viewer , who invents their own narrative out of what is given . In this sense ...
... viewer think beyond it being a good picture , which is true of what any theatrical text is doing . Likewise , this is also true of the conceptual artist and viewer , who invents their own narrative out of what is given . In this sense ...
Page 73
... viewer with the screens , as opposed to when they are void of any per- formed , human intervention . Viola asserts that Five Angels is communi- cated to the viewer ' in the language of the body ' , 20 the body becoming , ' the frame ...
... viewer with the screens , as opposed to when they are void of any per- formed , human intervention . Viola asserts that Five Angels is communi- cated to the viewer ' in the language of the body ' , 20 the body becoming , ' the frame ...
Page 74
... viewer is invited to reflect and be in the space , to experience these images within the open form of video art via ... viewer's existence is in various aspects of self within the landscape , across the different video screens in the ...
... viewer is invited to reflect and be in the space , to experience these images within the open form of video art via ... viewer's existence is in various aspects of self within the landscape , across the different video screens in the ...
Contents
Devising and Technology | 22 |
CrossArt Performance | 42 |
The Opera Director | 60 |
Copyright | |
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Re-Framing the Theatrical: Interdisciplinary Landscapes for Performance A. Oddey Limited preview - 2015 |
Common terms and phrases
Ackroyd and Harvey Angel Project architectural argues art form audience Bankwest Tower Barracks Arch beautiful become Bill Viola building chapter Chrysler Building church collaboration contemporary created cross-art forms cross-over cultural cwbusiness Deborah Warner describes devising Dilston Grove directed by Deborah director emotional engagement Euston Tower event everyday experience explore feel film Flâneur frame gallery Graeme Miller grass Hayward Gallery Heather Ackroyd Ibid idea imaginative in-between installation interaction interdisciplinary landscapes journey landscapes for performance Linked listening live London look McBurney memory narrative non-theatre opera painting perception Perth Photo piece play re-framing reality rehearsal relationship role Royal National Theatre sculpture self-composed poetics sense shift silence silent texts Simon McBurney site-specific solo sonic sound artist spectator spectator's spiritual stories Tate Modern theatre theatre director theatre-making theatrical things Tower Project twenty-first century unpublished interview urban video art viewer Viola walk Weems writing York