Re-Framing the Theatrical: Interdisciplinary Landscapes for PerformanceAlison Oddey takes us on a spectator's journey engaging with art forms that cross boundaries of categorization. She questions the role of the spectator and director, including interviews with Deborah Warner; the nature of art works and performance with artists Heather Ackroyd, Dan Harvey and Graeme Miller. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic Twenty-First century landscape. |
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Page 23
... shift , giving consideration to how these creator - collaborators have played with and used technology in various ways and with regard to specific works . However , despite the recognition of a technological age , the techno- logical ...
... shift , giving consideration to how these creator - collaborators have played with and used technology in various ways and with regard to specific works . However , despite the recognition of a technological age , the techno- logical ...
Page 164
... shift in direction of finding a unique artistic mix , merge and nuance of cross - art forms vocabulary that encapsulates the essence of the words ' creator ' , ' composer ' , ' deviser ' , ' conceiver ' and ' col- laborator ' of ...
... shift in direction of finding a unique artistic mix , merge and nuance of cross - art forms vocabulary that encapsulates the essence of the words ' creator ' , ' composer ' , ' deviser ' , ' conceiver ' and ' col- laborator ' of ...
Page 217
... shift in theatre - making practices demands a new understanding of the way spectating performance has changed , the nature of spectating multi - media projects , the choreography of the spectators as artistic and directorial control ...
... shift in theatre - making practices demands a new understanding of the way spectating performance has changed , the nature of spectating multi - media projects , the choreography of the spectators as artistic and directorial control ...
Contents
Devising and Technology | 22 |
CrossArt Performance | 42 |
The Opera Director | 60 |
Copyright | |
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Re-Framing the Theatrical: Interdisciplinary Landscapes for Performance A. Oddey Limited preview - 2015 |
Common terms and phrases
Ackroyd and Harvey Angel Project architectural argues art form audience Bankwest Tower Barracks Arch beautiful become Bill Viola building chapter Chrysler Building church collaboration contemporary created cross-art forms cross-over cultural cwbusiness Deborah Warner describes devising Dilston Grove directed by Deborah director emotional engagement Euston Tower event everyday experience explore feel film Flâneur frame gallery Graeme Miller grass Hayward Gallery Heather Ackroyd Ibid idea imaginative in-between installation interaction interdisciplinary landscapes journey landscapes for performance Linked listening live London look McBurney memory narrative non-theatre opera painting perception Perth Photo piece play re-framing reality rehearsal relationship role Royal National Theatre sculpture self-composed poetics sense shift silence silent texts Simon McBurney site-specific solo sonic sound artist spectator spectator's spiritual stories Tate Modern theatre theatre director theatre-making theatrical things Tower Project twenty-first century unpublished interview urban video art viewer Viola walk Weems writing York