Re-Framing the Theatrical: Interdisciplinary Landscapes for PerformanceAlison Oddey takes us on a spectator's journey engaging with art forms that cross boundaries of categorization. She questions the role of the spectator and director, including interviews with Deborah Warner; the nature of art works and performance with artists Heather Ackroyd, Dan Harvey and Graeme Miller. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic Twenty-First century landscape. |
From inside the book
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Page 38
... McBurney argues that theatre ' appears to be more fiction- alised ' at the same time , ' One of the great liberating aspects of television and film in the theatre is the fact that they do everything that theatre no longer needs to do ...
... McBurney argues that theatre ' appears to be more fiction- alised ' at the same time , ' One of the great liberating aspects of television and film in the theatre is the fact that they do everything that theatre no longer needs to do ...
Page 39
... McBurney's theatrical and technological inventiveness is integral to the interwoven three stories , which focus on the individual's social alienation in the fast - moving technological world of Tokyo city life . Charles Spencer ...
... McBurney's theatrical and technological inventiveness is integral to the interwoven three stories , which focus on the individual's social alienation in the fast - moving technological world of Tokyo city life . Charles Spencer ...
Page 40
... McBurney as the director of Measure for Measure , Frederick describes him as ' more like a conductor than a director some- times ' in the rehearsal room , ' He'd sit at the front watching and be waving his arm , sticking his hand up ...
... McBurney as the director of Measure for Measure , Frederick describes him as ' more like a conductor than a director some- times ' in the rehearsal room , ' He'd sit at the front watching and be waving his arm , sticking his hand up ...
Contents
Devising and Technology | 22 |
CrossArt Performance | 42 |
The Opera Director | 60 |
Copyright | |
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Re-Framing the Theatrical: Interdisciplinary Landscapes for Performance A. Oddey Limited preview - 2015 |
Common terms and phrases
Ackroyd and Harvey Angel Project architectural argues art form audience Bankwest Tower Barracks Arch beautiful become Bill Viola building chapter Chrysler Building church collaboration contemporary created cross-art forms cross-over cultural cwbusiness Deborah Warner describes devising Dilston Grove directed by Deborah director emotional engagement Euston Tower event everyday experience explore feel film Flâneur frame gallery Graeme Miller grass Hayward Gallery Heather Ackroyd Ibid idea imaginative in-between installation interaction interdisciplinary landscapes journey landscapes for performance Linked listening live London look McBurney memory narrative non-theatre opera painting perception Perth Photo piece play re-framing reality rehearsal relationship role Royal National Theatre sculpture self-composed poetics sense shift silence silent texts Simon McBurney site-specific solo sonic sound artist spectator spectator's spiritual stories Tate Modern theatre theatre director theatre-making theatrical things Tower Project twenty-first century unpublished interview urban video art viewer Viola walk Weems writing York