Life of Kenble. Kelly's Reminiscences. Davy's Salmonia. ANcient history of Scotland. On planting wast lands. Monteath's Foresters' guide. On landscape gardening. Sir H. Steuart's Planters' guide. Tytler's History of Scotland. Pitcairn's Criminal trails. Letters of Malachi Malagrowther on the currencyCarey & Hart, 1841 - English literature |
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Page 20
... mode of using them to advantage . Cer- The apprenticeship to the stage is in most instances , as we have already noticed , a severe one . Mr. Boaden is too grave to relate any of the minor misfortunes and hardships which his hero was ...
... mode of using them to advantage . Cer- The apprenticeship to the stage is in most instances , as we have already noticed , a severe one . Mr. Boaden is too grave to relate any of the minor misfortunes and hardships which his hero was ...
Page 25
... mode of exhibiting them . The author has done little to help him in the management of the piece , which as a story indicates nothing decisive respecting the real character of Hamlet . He does not re- semble Richard or Macbeth , or most ...
... mode of exhibiting them . The author has done little to help him in the management of the piece , which as a story indicates nothing decisive respecting the real character of Hamlet . He does not re- semble Richard or Macbeth , or most ...
Page 28
... mode of drawing attention : his nature revolted from courting dis- play and obsequiously condescending to be what has been vulgarly called the fiddle of the company . He took a ready and agreeable part in the general conversation . And ...
... mode of drawing attention : his nature revolted from courting dis- play and obsequiously condescending to be what has been vulgarly called the fiddle of the company . He took a ready and agreeable part in the general conversation . And ...
Page 32
... mode in which she illustrated her meaning . She arose and placed herself in the attitude of one of the old Egyptian statues ; the knees joined together , and the feet turned a little inwards . She placed her elbows close to her sides ...
... mode in which she illustrated her meaning . She arose and placed herself in the attitude of one of the old Egyptian statues ; the knees joined together , and the feet turned a little inwards . She placed her elbows close to her sides ...
Page 36
... mode of applause seems to have been , that there being no feelings excited by the speech , save ad- miration of the actor's exquisite skill , it seemed as if that had approached to an exhibition of ventriloquism , or some similar turn ...
... mode of applause seems to have been , that there being no feelings excited by the speech , save ad- miration of the actor's exquisite skill , it seemed as if that had approached to an exhibition of ventriloquism , or some similar turn ...
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actor advantage afforded Allanton amusement ancient angler appearance audience banks bark beauty betwixt Blind Harry Boaden Boethius branches Britons Caledonians called Celtic Celts character circumstances considered curious degree effect England English exertions existence expense exposed favour fish forest Galwegians garden Garrick give ground habits Halieus Highland historian history of Scotland honour improvement inhabitants interest John Kemble John Philip Kemble Kelly Kemble Kemble's Kenneth MacAlpine king labour land larch least less Lord Hailes manner means ment mode nature never noble observed opinion ornament peculiar perhaps person Pictish Pictish language Picts Pinkerton plantation planted planter possessed present proprietor purpose reason rendered respect roots Roxburghe Club salmon scene Scotland Scots Scottish seems shelter soil species success supposed Tacitus taste theatre thinning tion transplanted trees tribes Tytler whole wood words
Popular passages
Page 19 - O, what a noble mind is here o'erthrown! The courtier's, soldier's, scholar's, eye, tongue, sword; The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Page 194 - ... crash And merciless ravage: and the shady nook Of hazels, and the green and mossy bower, Deformed and sullied, patiently gave up Their quiet being: and unless I now Confound my present feelings with the past...
Page 204 - With mazy error under pendent shades Ran Nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice art In beds and curious knots, but nature boon Pour'd forth profuse on hill, and dale, and plain, Both where the morning sun first warmly smote The open field, and where the unpierced shade Imbrown'd the noontide bowers. Thus was this place A happy rural seat of various view...
Page 80 - ... second and larger gyration, — always rising towards the sun, and enlarging their circle of flight so as to make a gradually extending spiral. The young ones still slowly followed, apparently flying better as they mounted ; and they continued this sublime kind of exercise, always rising till they became mere points in the air, and the young ones were lost, and afterwards their parents, to our aching sight.
Page 65 - Compound for sins they are inclined to By damning those they have no mind to.
Page 122 - Iberos veteres traiecisse easque sedes occupasse fidem faciunt. Proximi Gallis et similes sunt, seu durante originis vi, seu procurrentibus in diversa terris positio coeli corporibus habitum dedit.
Page 39 - But fill'd, in elder time, the historic page. There, Shakespeare's self, with every garland crown'd, Flew to those fairy climes his fancy sheen, In musing hour, his wayward Sisters found, And with their terrors drest the magic scene. From them he sung, when, 'mid his bold design, Before the Scot, afflicted, and aghast ! The shadowy kings of Banquo's fated line Through the dark cave in gleamy pageant pass'd.
Page 250 - That will never be. Who can impress" the forest, bid the tree Unfix his earth-bound root?
Page 24 - I'd divide, And burn in many places ; on the topmast, The yards and bowsprit, would I flame distinctly, Then meet, and join. Jove's lightnings, the precursors O...
Page 65 - And angling, too, that solitary vice, Whatever Izaak Walton sings or says: The quaint, old, cruel coxcomb, in his gullet Should have a hook, and a small trout to pull it.