Lectures on Rhetoric and Belles Lettres |
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Page vi
... Epic Poetry , .... 471 XLIII . Homer's Iliad and Odyssey - Virgil's Æneid , ........ XLIV . Lucan's Pharsalia - Tasso's Jerusalem - Camoen's Lusiad - Fenelon's Telemachus -- Voltaire's Henriade - Milton's Paradise Lost , ....... 493 481 ...
... Epic Poetry , .... 471 XLIII . Homer's Iliad and Odyssey - Virgil's Æneid , ........ XLIV . Lucan's Pharsalia - Tasso's Jerusalem - Camoen's Lusiad - Fenelon's Telemachus -- Voltaire's Henriade - Milton's Paradise Lost , ....... 493 481 ...
Page viii
... epic poems , the production of Ossian , a Highland bard , of remote antiquity . Being himself per- suaded of their being completely genuine , he published in 1762 , A Critical Dissertation on the Poems of Ossian , & c . 4to . in proof ...
... epic poems , the production of Ossian , a Highland bard , of remote antiquity . Being himself per- suaded of their being completely genuine , he published in 1762 , A Critical Dissertation on the Poems of Ossian , & c . 4to . in proof ...
Page 24
... epic poem . Just reasonings on the sub- ject will correct the caprice of unenlightened taste , and establish principles for judging of what deserves praise . But , at the same time , these reasonings appeal always in the last resort ...
... epic poem . Just reasonings on the sub- ject will correct the caprice of unenlightened taste , and establish principles for judging of what deserves praise . But , at the same time , these reasonings appeal always in the last resort ...
Page 27
... epic composition , were not rules first disco vered by logical reasoning , and then applied to poetry ; but they were drawn from the practice of Homer and Sophocles : they were founded upon observing the superior pleasure which we ...
... epic composition , were not rules first disco vered by logical reasoning , and then applied to poetry ; but they were drawn from the practice of Homer and Sophocles : they were founded upon observing the superior pleasure which we ...
Page 37
... epic For what are critical rules chiefly de- composition ? Of such observations , signed ? For what must we look to nature ? What advantage do we de- was the first LECT . III . ] 37 SUBLIMITY IN OBJECTS . The sublime in Writing,
... epic For what are critical rules chiefly de- composition ? Of such observations , signed ? For what must we look to nature ? What advantage do we de- was the first LECT . III . ] 37 SUBLIMITY IN OBJECTS . The sublime in Writing,
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Lectures on Rhetoric and Belles Lettres: Chiefly from the Lectures of Dr. Blair Hugh Blair,Abraham Mills No preview available - 2015 |
Common terms and phrases
action admit advantage Æneid agreeable ancient appear Aristotle attention beauty character chiefly Cicero circumstances comedy composition connexion considered critics Dean Swift degree Demosthenes dignity discourse distinct distinguished effect elegant eloquence employed English English language epic epic poem epic poetry expression fancy figures French genius give given grace Greek hearers Hence Homer ideas Iliad illustrated imagination imitation instance introduced Isocrates ject kind language lecture manner means ment metaphor mind modern moral narration nature never objects observed occasion orator ornament particular passage passion peculiar persons perspicuity pleasure poem poet poetical poetry principles proper propriety prose public speaking Quintilian racters reason remark follows render Roman rule scene sense sensible sentence sentiments sermons simplicity Sophocles sort sound speaker species speech style sublime syllables Tacitus taste tence thing thought Thucydides tion tragedy tropes unity verse Virgil Voltaire whole words writing
Popular passages
Page 446 - The immortal mind that hath forsook Her mansion in this fleshly nook : And of those Demons that are found In fire, air, flood, or under ground, Whose power hath a true consent With planet, or with element. Sometime let gorgeous Tragedy In sceptred pall come sweeping by, Presenting Thebes, or Pelops' line, Or the tale of Troy divine, Or what (though rare) of later age Ennobled hath the buskined stage.
Page 458 - Man knoweth not the price thereof; neither is it found in the land of the living. The depth saith, It is not in me : and the sea saith, It is not with me.
Page 181 - Hell from beneath is moved for thee to meet thee at thy coming; it stirreth up the dead for thee, even all the chief ones of the earth; it hath raised up from their thrones all the kings of the nations. "All they shall speak and say unto thee, 'Art thou also become weak as we? Art thou become like unto us?' "Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms cover thee.
Page 40 - And he rode upon a cherub, and did fly: yea, he did fly upon the wings of the wind.
Page 453 - Who shall ascend into the hill of the Lord? and who shall stand in his holy place? He that hath clean hands, and a pure heart; who hath not lifted up his soul unto vanity, nor sworn deceitfully.
Page 223 - A man of a polite imagination is let into a great many pleasures that the vulgar are not capable of receiving. He can converse with a picture, and find an agreeable companion in a statue. He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows, than another does in the possession.
Page 453 - O SING unto the LORD a new song: Sing unto the LORD, all the earth.
Page 458 - The God of Israel said, the Rock of Israel spake to me. He that ruleth over men must be just, ruling in the fear of God...
Page 40 - Thus saith the Lord, thy redeemer, and he that formed thee from the womb, I am the Lord that maketh all things; that stretcheth forth the heavens alone; that spreadeth abroad the earth by myself...
Page 219 - It is this sense which furnishes the imagination with its ideas, so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view, or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.