Lectures on Rhetoric and Belles Lettres |
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Page 37
... effect does it produce ? port ? Which forms the critic ; and What is the nature of the emotion that which the poet and orator ? On the it produces ; and from what is this common acceptation of the word genius , very distinguishable ? In ...
... effect does it produce ? port ? Which forms the critic ; and What is the nature of the emotion that which the poet and orator ? On the it produces ; and from what is this common acceptation of the word genius , very distinguishable ? In ...
Page 37
... effect do they produce ? Repeat the 4 . instances given from Corneille , from Porus and Alexander , and from Cæsar and the pilot . Where are we struck with a sense of the sublime ? Repeat the passage from Akenside . What is the most ...
... effect do they produce ? Repeat the 4 . instances given from Corneille , from Porus and Alexander , and from Cæsar and the pilot . Where are we struck with a sense of the sublime ? Repeat the passage from Akenside . What is the most ...
Page 49
... effect of passage has Longinus bestowed high the idea here presented , appear in a and just commendations ? What is said still stronger light ? What do such in- of the passage in the 20th book , where stances show ? Where are the proper ...
... effect of passage has Longinus bestowed high the idea here presented , appear in a and just commendations ? What is said still stronger light ? What do such in- of the passage in the 20th book , where stances show ? Where are the proper ...
Page 68
... effect found to be much used among the of more varied tones , and more anima- northern American tribes ; and how ted motions ? Accordingly , what effect were they accustomed to declare their is produced ; and how is this illustrated ...
... effect found to be much used among the of more varied tones , and more anima- northern American tribes ; and how ted motions ? Accordingly , what effect were they accustomed to declare their is produced ; and how is this illustrated ...
Page 71
... effect of it is , that we have now , for the most part , no way left us to show the close relation of any two words to each other in mean- ing , but by placing them close to one another in the period . For instance ; the Romans could ...
... effect of it is , that we have now , for the most part , no way left us to show the close relation of any two words to each other in mean- ing , but by placing them close to one another in the period . For instance ; the Romans could ...
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Lectures on Rhetoric and Belles Lettres: Chiefly from the Lectures of Dr. Blair Hugh Blair,Abraham Mills No preview available - 2015 |
Common terms and phrases
action admit advantage Æneid agreeable ancient appear Aristotle attention beauty character chiefly Cicero circumstances comedy composition connexion considered critics Dean Swift degree Demosthenes dignity discourse distinct distinguished effect elegant eloquence employed English English language epic epic poem epic poetry expression fancy figures French genius give given grace Greek hearers Hence Homer ideas Iliad illustrated imagination imitation instance introduced Isocrates ject kind language lecture manner means ment metaphor mind modern moral narration nature never objects observed occasion orator ornament particular passage passion peculiar persons perspicuity pleasure poem poet poetical poetry principles proper propriety prose public speaking Quintilian racters reason remark follows render Roman rule scene sense sensible sentence sentiments sermons simplicity Sophocles sort sound speaker species speech style sublime syllables Tacitus taste tence thing thought Thucydides tion tragedy tropes unity verse Virgil Voltaire whole words writing
Popular passages
Page 446 - The immortal mind that hath forsook Her mansion in this fleshly nook : And of those Demons that are found In fire, air, flood, or under ground, Whose power hath a true consent With planet, or with element. Sometime let gorgeous Tragedy In sceptred pall come sweeping by, Presenting Thebes, or Pelops' line, Or the tale of Troy divine, Or what (though rare) of later age Ennobled hath the buskined stage.
Page 458 - Man knoweth not the price thereof; neither is it found in the land of the living. The depth saith, It is not in me : and the sea saith, It is not with me.
Page 181 - Hell from beneath is moved for thee to meet thee at thy coming; it stirreth up the dead for thee, even all the chief ones of the earth; it hath raised up from their thrones all the kings of the nations. "All they shall speak and say unto thee, 'Art thou also become weak as we? Art thou become like unto us?' "Thy pomp is brought down to the grave, and the noise of thy viols: the worm is spread under thee, and the worms cover thee.
Page 40 - And he rode upon a cherub, and did fly: yea, he did fly upon the wings of the wind.
Page 453 - Who shall ascend into the hill of the Lord? and who shall stand in his holy place? He that hath clean hands, and a pure heart; who hath not lifted up his soul unto vanity, nor sworn deceitfully.
Page 223 - A man of a polite imagination is let into a great many pleasures that the vulgar are not capable of receiving. He can converse with a picture, and find an agreeable companion in a statue. He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows, than another does in the possession.
Page 453 - O SING unto the LORD a new song: Sing unto the LORD, all the earth.
Page 458 - The God of Israel said, the Rock of Israel spake to me. He that ruleth over men must be just, ruling in the fear of God...
Page 40 - Thus saith the Lord, thy redeemer, and he that formed thee from the womb, I am the Lord that maketh all things; that stretcheth forth the heavens alone; that spreadeth abroad the earth by myself...
Page 219 - It is this sense which furnishes the imagination with its ideas, so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view, or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.