acute, because, through the imperfection of her other organs, it was only by sight that she could obtain information of what passed around her.

The pretty mute was mistress of many little accomplishments, which the Countess had caused to be taught to her in compassion for her forlorn situation, and which she learned with the most surprising quickness. Thus, for example, she was exquisite in the use of the needle, and so ready and ingenious a draughtswoman, that, like the ancient Mexicans, she sometimes made a hasty sketch with her pencil the means of conveying her ideas, either by direct or emblematical representation. Above all, in the art of ornamental writing, much studied at that period, Fenella was so great a proficient, as to rival the fame of Messrs. Snow, Shelley, and other masters of the pen, whose copy-books, preserved in the libraries of the curious, still show the artists smiling on the frontispiece in all the honours of flowing gowns and full-bottomed wigs, to the eternal glory of calligraphy.

The little maiden had, besides these accomplishments, much ready wit and acuteness of intellect. With Lady Derby, and with the two young gentlemen, she was a great favourite, and used much freedom in conversing with them, by means of a system of signs which had been gradually established amongst them, and which served all ordinary purposes of communication.

But, though happy in the indulgence and favour of her mistress, from whom indeed she was seldom separate, Fenella was by no means a favourite with

the rest of the household. In fact, it seemed that her temper, exasperated perhaps by a sense of her misfortune, was by no means equal to her abilities. She was very haughty in her demeanour, even towards the upper domestics, who in that establishment were of a much higher rank and better birth than in the families of the nobility in general. These often complained, not only of her pride and reserve, but of her high and irascible temper and vindictive disposition. Her passionate propensity had been indeed idly encouraged by the young men, and particularly by the Earl, who sometimes amused himself with teazing her, that he might enjoy the various singular motions and murmurs by which she expressed her resentment. Towards him, these were of course only petulant and whimsical indications of pettish anger. But when she was angry with others of inferior degree— before whom she did not control herself-the expression of her passion, unable to display itself in language, had something even frightful, so singular were the tones, contortions, and gestures, to which she had recourse. The lower domestics, to whom she was liberal almost beyond her apparent means, observed her with much deference and respect, but much more from fear than from any real attachment; for the caprices of her temper displayed themselves even in her gifts; and those who most frequently shared her bounty, seemed by no means assured of the benevolence of the motives which dictated her liberality.

All these peculiarities led to a conclusion conso

nant with Manx superstition. Devout believers in all the legends of fairies so dear to the Celtic tribes, the Manx people held it for certainty that the elves were in the habit of carrying off mortal children before baptism, and leaving in the cradle of the new-born babe one of their own brood, which was almost always imperfect in some one or other of the organs proper to humanity. Such a being they conceived Fenella to be; and the smallness of her size, her dark complexion, her long locks of silken hair, the singularity of her manners and tones, as well as the caprices of her temper, were to their thinking all attributes of the irritable, fickle, and dangerous race from which they supposed her to be sprung. And it seemed, that although no jest appeared to offend her more than when Lord Derby called her in sport the Elfin Queen, or otherwise alluded to her supposed connexion with 'the pigmy folk,' yet still her perpetually affecting to wear the colour of green, proper to the fairies, as well as some other peculiarities, seemed voluntarily assumed by her, in order to countenance the superstition, perhaps because it gave her more authority among the lower orders.

Many were the tales circulated respecting the Countess's Elf, as Fenella was currently called in the island; and the malecontents of the stricter persuasion were convinced, that no one but a Papist and a malignant would have kept near her person a creature of such doubtful origin. They conceived that Fenella's deafness and dumbness were only

towards those of this world, and that she had been heard talking, and singing, and laughing most elvishly, with the invisibles of her own race. They alleged, also, that she had a Double, a sort of apparition resembling her, which slept in the Countess's anteroom, or bore her train, or wrought in her cabinet, while the real Fenella joined the song of the mermaids on the moonlight sands, or the dance of the fairies in the haunted valley of Glenmoy, or on the heights of Snawfell and Barool. The sentinels, too, would have sworn they had seen the little maiden trip past them in their solitary night-walks, without their having it in their power to challenge her, any more than if they had been as mute as herself. To all this mass of absurdities the better informed paid no more attention than to the usual idle exaggerations of the vulgar, which so frequently connect that which is unusual with what is supernatural.*

Such, in form and habits, was the little female, who, holding in her hand a small old-fashioned ebony rod, which might have passed for a divining wand, confronted Julian on the top of the flight of steps which led down the rock from the Castlecourt. We ought to observe, that as Julian's manner to the unfortunate girl had been always gentle, and free from those teazing jests in which his gay friend indulged, with less regard to the peculiarity of her situation and feelings; so Fenella, on her part, had usually shown much greater

* See Note H. Manx Superstitions.

deference to him than to any of the household, her mistress, the Countess, always excepted.

On the present occasion, planting herself in the very midst of the narrow descent, so as to make it impossible for Peveril to pass by her, she proceeded to put him to the question by a series of gestures, which we will endeavour to describe. She commenced by extending her hand slightly, accompanied with the sharp inquisitive look which served her as a note of interrogation. This was meant as an enquiry whether he was going to a distance. Julian, in reply, extended his arm more than half, to intimate that the distance was considerable. Fenella looked grave, shook her head, and pointed to the Countess's window, which was visible from the spot where they stood. Peveril smiled, and nodded, to intimate there was no danger in quitting her mistress for a short space. The little maiden next touched an eagle's feather which she wore in her hair, a sign which she usually employed to designate the Earl, and then looked inquisitively at Julian once more, as if to say, 'Goes he with you?' Peveril shook his head, and, somewhat wearied by these interrogatories, smiled, and made an effort to pass. Fenella frowned, struck the end of her ebony rod perpendicularly on the ground, and again shook her head, as if opposing his departure. But finding that Julian persevered in his purpose, she suddenly assumed another and a milder mood, held him by the skirt of his cloak with one hand, and raised the other in an imploring attitude, whilst every feature of her lively countenance was composed into the