Milton's Epic Voice: The Narrator in Paradise Lost |
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Page 45
The Narrator in Paradise Lost Anne Ferry. style created for the narrative voice is designed to express these ... creation of the world and time ; or of happenings to come when the world and time shall be no more . Nothing takes place in ...
The Narrator in Paradise Lost Anne Ferry. style created for the narrative voice is designed to express these ... creation of the world and time ; or of happenings to come when the world and time shall be no more . Nothing takes place in ...
Page 47
... created man , ( I , 573-574 ) Met such imbodied force ... Here it is not our " mortal " condition , but our " created " nature which we remember . We are God's creatures , like Satan , and our creation is as much a result of his fall as ...
... created man , ( I , 573-574 ) Met such imbodied force ... Here it is not our " mortal " condition , but our " created " nature which we remember . We are God's creatures , like Satan , and our creation is as much a result of his fall as ...
Page 150
... creation . Repetition is also a simple and obvious way to suggest continuity , a state of things which either never ... created by a variety of poetic devices , Milton imitated the form of the world en- visioned by his inspired narrator ...
... creation . Repetition is also a simple and obvious way to suggest continuity , a state of things which either never ... created by a variety of poetic devices , Milton imitated the form of the world en- visioned by his inspired narrator ...
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Common terms and phrases
abstract meanings Adam and Eve Adam's Fall Adam's story adjective allegory allusions angels Areopagitica argument asso associated beauty bird blind bard characters circle comparisons concrete and abstract contrast created creation critical darkness Death described device diction divine dramatic Earth elaborate epic introductions Eve's evoke experience express extended similes fables Faerie Queene fallen reader fallen world familiar feel Fortunate Fall God's guage Heaven Hell heroic illumination illustrate images inner light innocence interpretation invocation language of statement lines loss Lycidas Milton's epic mortal vision narrative voice narrator's nature noun Paradise Lost particular passage pastoral poetry pattern physical poet poetry qualities Raphael rator reality references reminds sacred metaphors Samson Agonistes Satan scene sense shades shape share song speaker speech Spenser's story structure style syntax thee thir thou throughout the poem tion tone tradition true pastoral world truth unfallen unique unity vision words