The Questioning Presence: Wordsworth, Keats, and the Interrogative Mode in Romantic Poetry |
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Page 216
... poet reports at the end of the first verse paragraph , " I was light - hearted , / And many pleasures to my vision started ; / So I straightway began to pluck a posey / Of luxuries bright , milky , soft and rosy " ( 25-28 ) , Keats's ...
... poet reports at the end of the first verse paragraph , " I was light - hearted , / And many pleasures to my vision started ; / So I straightway began to pluck a posey / Of luxuries bright , milky , soft and rosy " ( 25-28 ) , Keats's ...
Page 238
... poem than do the readings proposed by the alle- gorizers of Keats's plot . 14 For if the end of Endymion seems to discredit the conclusion that the " old tale " celebrates with such seeming sim- plicity and affirmation , that ...
... poem than do the readings proposed by the alle- gorizers of Keats's plot . 14 For if the end of Endymion seems to discredit the conclusion that the " old tale " celebrates with such seeming sim- plicity and affirmation , that ...
Page 343
... Keats reveals to be ultimately ab intra — that is , operating under , and not fully in control of , his ambivalence ... poet writing " against his better self , ” 7 in The Fall of Hyperion Keats expresses such oppositions in a story ...
... Keats reveals to be ultimately ab intra — that is , operating under , and not fully in control of , his ambivalence ... poet writing " against his better self , ” 7 in The Fall of Hyperion Keats expresses such oppositions in a story ...
Contents
Editions | 11 |
English Romanticism and the Interrogative | 17 |
The Reader Questioned in Lyrical Ballads 1800 | 71 |
Copyright | |
12 other sections not shown
Common terms and phrases
ambiguous answer argument asks Author autobiography Book character Coleridge confesses critical dark passages dramatic dream dreamer echo effect emerges Endymion Ernest de Selincourt Eve of St Excursion fact Fall of Hyperion feeling figure haunt Hazlitt heart human idiom imagination inquiry interrogative mode irony Isabella John Keats Keats the Poet Keats writes Keats's Keats's narrator Lamia language lines Lycius Lyrical Ballads M. H. Abrams Martha Ray Milton mind Moneta mystery narrative narrator's nature Ode to Psyche old Romance Paradise Lost passion perplexed phrase play pleasure poem poem's poet's poetic poetry Porphyro Preface Prelude present Psyche ques reader reading rhetorical rhyme Romantic poetry seems sense silent Solitary song sonnet soul speaker Sperry spirit stanza Stillinger story suggests surmise syntax tale tell thee things Thorn thou thought Tintern Abbey tion Titans tone turn verse vision voice Wanderer Wanderer's words Wordsworth Wordsworthian