Great ExpectationsUsing postmodern form, Kathy Acker's Great Expectations moves her narrator through time, gender, and identity as it examines our era's cherished beliefs about life and art. |
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42nd Street adore anymore arms Ashington asked BARBARELLA beautiful body breasts cause CLIFFORD cock cunt curly brownhaired CYNTHIA dead Dear desire door Duc d'Orleans Duchesse de Poitiers emotions everything eyes face famous father feel female artist flesh friends front girlfriend give going gonna gonorrhea hair hand hate hippy HUBBIE human hurt jellyfish Kathy KATHY ACKER kisses knew lips living lobotomy look lover Lutetia male artist Mark Antony married mother Mudd Club murder never nice night nipples numbers obsession pain Peter PORTRAIT IN RED Propertius rape realize Rosa SARAH says scared Seattle SEMIOTEXT(e sex show sexual shit sick sitting skin sleep soldiers someone stick Susan Sontag talk tell there's thing thought Timurid told totally touch Vidame walk want to fuck wearing whipped who's whore wife woman women York City young girl
References to this book
 | Critical Studies in Mass Communication: CSMC : a Publication of ..., Volume 3 No preview available - 1986 |