The Works of Jonathan Richardson: Containing I. The Theory of Painting. II. Essay on the Art of Criticism, (so Far as it Relates to Painting). III. The Science of a ConnoisseurT. and J. Egerton ... J. Debrett ... R. Faulder and W. Miller ... J. Cuthell ... J. Barker ... and E. Jeffery, 1792 - Engraving - 287 pages |
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Page 11
... imagine his figures to think , fpeak , and act , as a poet fhould do in a tragedy , or epic poem ; especially if his subject be a fable , or an allegory . If a poet has , moreover , the care of the diction and verfification , the ...
... imagine his figures to think , fpeak , and act , as a poet fhould do in a tragedy , or epic poem ; especially if his subject be a fable , or an allegory . If a poet has , moreover , the care of the diction and verfification , the ...
Page 21
... imagine ( for example ) that Livy , or Thucydides , had direct , exprefs authorities for all the speeches they have given us at length , or even for all the incidents they have delivered to us as facts ; but they have made their ftories ...
... imagine ( for example ) that Livy , or Thucydides , had direct , exprefs authorities for all the speeches they have given us at length , or even for all the incidents they have delivered to us as facts ; but they have made their ftories ...
Page 37
... imagine mankind would believe fuch ridiculous accounts of the gods ; O ( fays he ) you need be in no pain about that ; if you would give them truth , you must put that in a fabulous drefs , but a lye enters freely into the mind of man ...
... imagine mankind would believe fuch ridiculous accounts of the gods ; O ( fays he ) you need be in no pain about that ; if you would give them truth , you must put that in a fabulous drefs , but a lye enters freely into the mind of man ...
Page 48
... imagine the pictures as they must have been , had Rubens been terrified by the objections , which he cer- tainly must have forefeen would be made afterwards , and so had left all these heathen gods and goddeffes , and the rest of the ...
... imagine the pictures as they must have been , had Rubens been terrified by the objections , which he cer- tainly must have forefeen would be made afterwards , and so had left all these heathen gods and goddeffes , and the rest of the ...
Page 52
... Madonna , of which I have a copy ; he has brought in a kind of an ornament to a chair , for no other end ( that I can imagine ) but to form the mafs agreeably . Van Van Dyck , that he might keep his principal light ( 52 )
... Madonna , of which I have a copy ; he has brought in a kind of an ornament to a chair , for no other end ( that I can imagine ) but to form the mafs agreeably . Van Van Dyck , that he might keep his principal light ( 52 )
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Common terms and phrases
advantage Albert Durer alfo almoſt alſo Annibale Annibale Caracci beauty becauſe befides beft beſt cafe carton character circumftances colouring compofition confequently confiderable confidered confifts connoiffeur copy Correggio defign degree divine drapery drawing eſpecially etched excellent expreffion exprefs faid fame fchool fcience feems feen fenfe feveral fhadows fhall fhew fhould figures firft firſt fome fomething fometimes fpirit ftands ftory ftyle fubject fublime fuch fuppofed gentleman Giorgione Giulio Romano give goodneſs grace greateſt greatnefs hand Hiftory himſelf ideas improved inftances judge juft kind landſcapes leaft leaſt lefs Leonardo da Vinci mafter manner Michelangelo mind moft moſt muft muſt nature neceffary noble obferved occafion otherwife ourſelves painter Painting Parmeggiano perfon picture pleafing pleaſe pleaſure poffeffed poffible portraits prefent prints Rafaelle raife raiſed reafon refemblance refpect reft reprefented Rome Rubens ſeen ſeveral tafte thefe themſelves theſe thing thofe thoſe thought Titian uſeful Van Dyck whofe
Popular passages
Page 233 - Said then the omnific Word, your discord end. Nor stay'd ; but, on the wings of cherubim Uplifted, in paternal glory rode Far into Chaos and the world unborn ; For Chaos heard his voice. Him all his train Follow'd in bright procession to behold Creation, and the wonders of his might.
Page 216 - Urania, and fit audience find, though few-. But drive far off the barbarous dissonance Of Bacchus and his revellers, the race Of that wild rout that tore the Thracian bard In Rhodope, where woods and rocks had ears To rapture, till the savage clamour drown'd Both harp and voice ; nor could the muse defend Her son.
Page 233 - Present, and of his presence many a sign Still following thee, still compassing thee round With goodness and paternal love, his face Express, and of his steps the track divine.
Page 240 - ... in life and death, expiring in the arms of one of the greatest princes of that age, Francis I., king of France, who loved him as a friend. Another is of...
Page 110 - Rolled inward, and a spacious gap disclosed Into the wasteful Deep. The monstrous sight Struck them with horror backward, but far worse Urged them behind; headlong themselves they threw Down from the verge of Heaven; eternal wrath Burnt after them to the bottomless pit.
Page 204 - To whom thus Adam fervently replied : " O Woman ! best are all things as the will Of God ordain'd them; his creating hand Nothing imperfect or deficient left Of all that he created: much less man, Or aught that might his happy state secure, Secure from outward force; within himself The danger lies, yet lies within his power: Against his will, he can receive no harm...
Page 181 - Cleveland and the swarm of liars that nuzzle in the mud, or sling arrows from ambush, may my tongue cleave to the roof of my mouth, and my right hand forget its cunning.
Page 19 - It is amiss as it is, but would have been worse any other way, as it frequently happens in other cases. Raphael, therefore, wisely chose this lesser inconvenience, this seeming error, which he knew the judicious would know was none, and for the rest he was above being solicitous for his reputation with them. So that, upon the whole, this is so far from being a fault, that it is an instance of the consummate judgment of that...
Page 40 - ... the ornaments and back-ground proper to it; every part of the portrait, and all about it muft be expreffive of the man, and have a refemblance as well as the features of the face.
Page 218 - go from thy fpirit ? or whither fhall I flee from " thy prefence ? If I afcend up into heaven thou * * art there. If I make my bed in hell, behold thou " art there. If I take the wings of the morning, " and dwell in the uttermoft parts of the fea ; " even there fhall thy hand lead me, and thy right " hand fhall hold me. 1? I fay, Surely the dark" nefs fhall cover me : even the night fhall be