The Works of Jonathan Richardson: Containing I. The Theory of Painting. II. Essay on the Art of Criticism, (so Far as it Relates to Painting). III. The Science of a ConnoisseurT. and J. Egerton ... J. Debrett ... R. Faulder and W. Miller ... J. Cuthell ... J. Barker ... and E. Jeffery, 1792 - Engraving - 287 pages |
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Page 22
... ftory of our Saviour's directing St. Peter to feed his flock , commonly called the Giving him the Keys . Our Lord seems , by the relation of the Evangelist ( at least a Roman Catholic , as Rafaelle was , must be fuppofed to understand ...
... ftory of our Saviour's directing St. Peter to feed his flock , commonly called the Giving him the Keys . Our Lord seems , by the relation of the Evangelist ( at least a Roman Catholic , as Rafaelle was , must be fuppofed to understand ...
Page 23
... ftory is the defcent of the Holy Ghoft on the day of Pentecoft ( a moft amazing event ! and worthy to be defcribed by the firft painter of the world ) the tongues of fire on the heads of the infpired , would have been fufficient to have ...
... ftory is the defcent of the Holy Ghoft on the day of Pentecoft ( a moft amazing event ! and worthy to be defcribed by the firft painter of the world ) the tongues of fire on the heads of the infpired , would have been fufficient to have ...
Page 24
... ftory of Eneas and Anchifes was thought of ; they were already out of the great danger , and the fon carries the old man , not only as commodioufly as poffible , but with the utmost care , left he fhould ftumble or fall with his ...
... ftory of Eneas and Anchifes was thought of ; they were already out of the great danger , and the fon carries the old man , not only as commodioufly as poffible , but with the utmost care , left he fhould ftumble or fall with his ...
Page 25
... ftory of the woman taken in adultery muft not be re- prefented in the open air , but in the temple . If that of Alexander coming to Diogenes , and the cynick defiring him not to deprive him of what he could not give , the light of the ...
... ftory of the woman taken in adultery muft not be re- prefented in the open air , but in the temple . If that of Alexander coming to Diogenes , and the cynick defiring him not to deprive him of what he could not give , the light of the ...
Page 27
... ftory that is most advantageous must be it . Suppofe , for inftance , the ftory to be painted is , that of the woman taken in adultery , the painter feems to be at liberty to choose whether he will reprefent the Scribes and Pharifees ...
... ftory that is most advantageous must be it . Suppofe , for inftance , the ftory to be painted is , that of the woman taken in adultery , the painter feems to be at liberty to choose whether he will reprefent the Scribes and Pharifees ...
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advantage Albert Durer alfo almoſt alſo Annibale Annibale Caracci beauty becauſe befides beft beſt cafe carton character circumftances colouring compofition confequently confiderable confidered confifts connoiffeur copy Correggio defign degree divine drapery drawing eſpecially etched excellent expreffion exprefs faid fame fchool fcience feems feen fenfe feveral fhadows fhall fhew fhould figures firft firſt fome fomething fometimes fpirit ftands ftory ftyle fubject fublime fuch fuppofed gentleman Giorgione Giulio Romano give goodneſs grace greateſt greatnefs hand Hiftory himſelf ideas improved inftances judge juft kind landſcapes leaft leaſt lefs Leonardo da Vinci mafter manner Michelangelo mind moft moſt muft muſt nature neceffary noble obferved occafion otherwife ourſelves painter Painting Parmeggiano perfon picture pleafing pleaſe pleaſure poffeffed poffible portraits prefent prints Rafaelle raife raiſed reafon refemblance refpect reft reprefented Rome Rubens ſeen ſeveral tafte thefe themſelves theſe thing thofe thoſe thought Titian uſeful Van Dyck whofe
Popular passages
Page 233 - Said then the omnific Word, your discord end. Nor stay'd ; but, on the wings of cherubim Uplifted, in paternal glory rode Far into Chaos and the world unborn ; For Chaos heard his voice. Him all his train Follow'd in bright procession to behold Creation, and the wonders of his might.
Page 216 - Urania, and fit audience find, though few-. But drive far off the barbarous dissonance Of Bacchus and his revellers, the race Of that wild rout that tore the Thracian bard In Rhodope, where woods and rocks had ears To rapture, till the savage clamour drown'd Both harp and voice ; nor could the muse defend Her son.
Page 233 - Present, and of his presence many a sign Still following thee, still compassing thee round With goodness and paternal love, his face Express, and of his steps the track divine.
Page 240 - ... in life and death, expiring in the arms of one of the greatest princes of that age, Francis I., king of France, who loved him as a friend. Another is of...
Page 110 - Rolled inward, and a spacious gap disclosed Into the wasteful Deep. The monstrous sight Struck them with horror backward, but far worse Urged them behind; headlong themselves they threw Down from the verge of Heaven; eternal wrath Burnt after them to the bottomless pit.
Page 204 - To whom thus Adam fervently replied : " O Woman ! best are all things as the will Of God ordain'd them; his creating hand Nothing imperfect or deficient left Of all that he created: much less man, Or aught that might his happy state secure, Secure from outward force; within himself The danger lies, yet lies within his power: Against his will, he can receive no harm...
Page 181 - Cleveland and the swarm of liars that nuzzle in the mud, or sling arrows from ambush, may my tongue cleave to the roof of my mouth, and my right hand forget its cunning.
Page 19 - It is amiss as it is, but would have been worse any other way, as it frequently happens in other cases. Raphael, therefore, wisely chose this lesser inconvenience, this seeming error, which he knew the judicious would know was none, and for the rest he was above being solicitous for his reputation with them. So that, upon the whole, this is so far from being a fault, that it is an instance of the consummate judgment of that...
Page 40 - ... the ornaments and back-ground proper to it; every part of the portrait, and all about it muft be expreffive of the man, and have a refemblance as well as the features of the face.
Page 218 - go from thy fpirit ? or whither fhall I flee from " thy prefence ? If I afcend up into heaven thou * * art there. If I make my bed in hell, behold thou " art there. If I take the wings of the morning, " and dwell in the uttermoft parts of the fea ; " even there fhall thy hand lead me, and thy right " hand fhall hold me. 1? I fay, Surely the dark" nefs fhall cover me : even the night fhall be