Lectures on Rhetoric and Belles Lettres ...: To which are Added, Copious Questions; and an Analysis of Each Lecture A. Mills ... |
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Page ix
... poet , and did not con- ceal from those with whom he was particularly intimate , that the poems were entirely his own composition . * In 1773 , it fell to his share to form the first uniform edition of the Works of the Bri- tish Poets ...
... poet , and did not con- ceal from those with whom he was particularly intimate , that the poems were entirely his own composition . * In 1773 , it fell to his share to form the first uniform edition of the Works of the Bri- tish Poets ...
Page 30
... poet , or orator , becomes more refined with re- spect to the beauties of composition , it will certainly assist him to produce the more finished beauties in his work . Genius , however , in a poet or orator , may sometimes exist in a ...
... poet , or orator , becomes more refined with re- spect to the beauties of composition , it will certainly assist him to produce the more finished beauties in his work . Genius , however , in a poet or orator , may sometimes exist in a ...
Page 37
... poet and orator ? On the it produces ; and from what is this common acceptation of the word genius , very distinguishable ? In what does what is it proper to observe ; and what the simplest form of external grandeur is it used to ...
... poet and orator ? On the it produces ; and from what is this common acceptation of the word genius , very distinguishable ? In what does what is it proper to observe ; and what the simplest form of external grandeur is it used to ...
Page 46
... poet into a sub lime description : EN . 111. 571 . -Horrificis juxta tonat Ætna ruinis . Interdumque atram prorumpit ad æthera nubem , Turbine fumantem piceo , et candente favilla ; Attollitque globos flammarum , et sidera lambit ...
... poet into a sub lime description : EN . 111. 571 . -Horrificis juxta tonat Ætna ruinis . Interdumque atram prorumpit ad æthera nubem , Turbine fumantem piceo , et candente favilla ; Attollitque globos flammarum , et sidera lambit ...
Page 57
... poet introduces into his work persons actually speaking ; and , by the words which he puts into their mouths , represents the discourse which they might be supposed to hold ; so far his art may more accurately be called imitative ; and ...
... poet introduces into his work persons actually speaking ; and , by the words which he puts into their mouths , represents the discourse which they might be supposed to hold ; so far his art may more accurately be called imitative ; and ...
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Lectures on Rhetoric and Belles Lettres ...: To Which Are Added, Copious ... Hugh Blair No preview available - 2019 |
Common terms and phrases
action admit advantage Æneid agreeable ancient appear Aristotle attention beauty character chiefly Cicero circumstances comedy composition connexion considered critics Dean Swift degree Demosthenes dignity discourse distinct distinguished effect elegant eloquence employed English English language epic epic poem epic poetry expression fancy figures French genius give given grace Greek hearers Hence Homer ideas Iliad illustrated imagination imitation instance introduced Isocrates ject kind language lecture manner means ment metaphor mind modern moral narration nature never objects observed occasion orator ornament particular passage passion peculiar persons perspicuity pleasure poem poet poetical poetry principles proper propriety prose public speaking Quintilian racters reason remark follows render Roman rule scene sense sensible sentence sentiments sermons simplicity Sophocles sort sound speaker species speech style sublime syllables Tacitus taste tence thing thought Thucydides tion tragedy tropes unity verse Virgil Voltaire whole words writing
Popular passages
Page 40 - And he rode upon a cherub, and did fly: yea, he did fly upon the wings of the wind.
Page 466 - Man knoweth not the price thereof; neither is it found in the land of the living. The depth saith, It is not in me : and the sea saith, It is not with me.
Page 218 - Our sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments. The sense of feeling can indeed give us a notion of extension, shape, and all other ideas that enter at the eye, except colours ; but at the same time it is very much straitened and confined in its operations to the number, bulk,...
Page 180 - And it shall come to pass in the day that the Lord shall give thee rest from thy sorrow, and from thy fear, and from the hard bondage wherein thou wast made to serve.
Page 165 - I bridle in my struggling Muse with pain, That longs to launch into a nobler strain.
Page 44 - Commander : he, above the rest In shape and gesture proudly eminent, Stood like a tower : his form had yet not lost All her original brightness ; nor appear'd Less than Arch-Angel ruin'd, and the excess Of glory obscured...
Page 188 - Whether the nymph shall break Diana's law, Or some frail China jar receive a flaw ; Or stain her honour, or her new brocade ; Forget her prayers, or miss a masquerade ; Or lose her heart, or necklace, at a ball ; Or whether Heaven has doom'd that Shock must fall.
Page 219 - It is this sense which furnishes the imagination with its ideas; so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.
Page 147 - Canst thou by searching find out God? canst thou find out the Almighty unto perfection? It is as high as heaven; what canst thou do? deeper than hell; what canst thou know? The measure thereof is longer than the earth, and broader than the sea.
Page 223 - He meets with a secret refreshment in a description, and often feels a greater satisfaction in the prospect of fields and meadows than another does in the possession. It gives him, indeed, a kind of property in every thing he sees, and makes the most rude uncultivated parts of nature administer to his pleasures: so that he looks upon the world, as it were, in another light, and discovers in it a multitude of charms that conceal themselves from the generality of mankind.