Performing Drama/dramatizing Performance: Alternative Theater and the Dramatic TextExamines how the intertwining paths of avant-garde theater and mainstream drama work to produce provocative new forms |
From inside the book
Results 1-5 of 65
Page 8
... kind of play in a particular kind of theatrical space " ( Quigley 1985 , 6-7 ) . As a result , these categories artificially pigeonhole works that belong together ton- ally or thematically at best . The problem has been compounded in ...
... kind of play in a particular kind of theatrical space " ( Quigley 1985 , 6-7 ) . As a result , these categories artificially pigeonhole works that belong together ton- ally or thematically at best . The problem has been compounded in ...
Page 13
... kind of “ adhocism , ” which characteristically " double - codes " or consciously juxtaposes elements , idioms , and func- tions to create ironic and transformative space between them.7 In the case of theater , the space exists between ...
... kind of “ adhocism , ” which characteristically " double - codes " or consciously juxtaposes elements , idioms , and func- tions to create ironic and transformative space between them.7 In the case of theater , the space exists between ...
Page 21
... from the kind of text - based dramatic realism that predominated in American and British theater in the fifties and early sixties ( a realism related to , but quite different from , say , Ibsen's realism ) , Introduction 21.
... from the kind of text - based dramatic realism that predominated in American and British theater in the fifties and early sixties ( a realism related to , but quite different from , say , Ibsen's realism ) , Introduction 21.
Page 22
... kind of aesthetic or ideological proximity to an- other's , but on describing various ways that performers and writers have proceeded through their own interfacial phases and have come eventu- ally in unique ways to combine elements of ...
... kind of aesthetic or ideological proximity to an- other's , but on describing various ways that performers and writers have proceeded through their own interfacial phases and have come eventu- ally in unique ways to combine elements of ...
Page 25
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Contents
The AvantGarde Urge and the Margins of Performance | 25 |
The sad tale a last time told Closing Performance and Liberating the Text in the Plays of Samuel Beckett | 67 |
The Fractal Dimensions of a Fractious Culture The Wooster Group and the Politics of Performance | 97 |
Of our origins In ghostlier demarcations keener sounds Robert Wilsons Search for a New Order of Vision | 155 |
The Landlocked Geography of a Horse Dreamer Performance and Consciousness in the Plays of Sam Shepard | 189 |
Other editions - View all
Common terms and phrases
activity actor aesthetic agenda Alcestis alternative theater American attempt audience authorial avant-garde avant-garde performance Beckett Blau Brecht character closure consciousness contemporary theater create critical critique culture dance deconstructive desire discourses dramatic text dynamic elements Elizabeth LeCompte enact experience experimental theater expression formance function gestures Gray Gray's Grotowski Heiner Müller Herbert Blau Hoss illusion images interaction interpretation kind language LeCompte LeCompte's Mabou Mines mance Marranca meaning mise-en-scène modernist movement Müller narrative nature notion orthodox performance theater Performing Arts Journal piece play playwrights political postmodern poststructuralist Presence produce radical reading realist reality recent relationship representation reveal Richard Foreman ritual Robert Wilson Ron Vawter Rumstick Road Sakonnet Point Sam Shepard Samuel Beckett Savran Schechner sense Shepard significant simply sixties social space Spalding Gray spectator stage structures suggests text and performance textuality theatrical thematic theme theory tion traditional transcendence transformation vision Wilder's Wilson Wooster Group