Inspiration in Milton and Keats |
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Page 1
... sense of ' excitement ' , or as a formal figure of speech adopted by poets to justify their irrational aberrations - invocations to the Muse providing a convenient and dignified way of starting a poem . The absurdity of requiring such a ...
... sense of ' excitement ' , or as a formal figure of speech adopted by poets to justify their irrational aberrations - invocations to the Muse providing a convenient and dignified way of starting a poem . The absurdity of requiring such a ...
Page 179
... senses ( touch in the first stanza , sight in the second , and hearing in the third ) , but there is no place for gods , dreams or the inner world . Sense experience takes over , not as a vehicle for mental reality , but as a blocking ...
... senses ( touch in the first stanza , sight in the second , and hearing in the third ) , but there is no place for gods , dreams or the inner world . Sense experience takes over , not as a vehicle for mental reality , but as a blocking ...
Page 184
... sense in ' noise / Soft - showering in my ears ' , and in ' by the touch / Of scent , not far from roses ' , suggests an inward concentration in which sense is hypersensitive , as with ' touched my trembling ears ' in ' Lycidas ' ; and ...
... sense in ' noise / Soft - showering in my ears ' , and in ' by the touch / Of scent , not far from roses ' , suggests an inward concentration in which sense is hypersensitive , as with ' touched my trembling ears ' in ' Lycidas ' ; and ...
Contents
Miltons Newenlightened World | 22 |
Milton and the Genius of the Shore | 40 |
Miltons Search for the Idea of the Beautiful | 76 |
Copyright | |
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Common terms and phrases
action active appears approach beauty becomes begins close context continues darkness death describes desire direct dream early echoes emotional epic existence experience expressed external eyes fact fades Fall false figure finally finds forced function give heart heaven human Hyperion idea imagination immortal inspiration invocation Keats Keats's kind Knight knowledge language learning leaves letter light lines live look Lycidas meaning mental metaphor Milton mind mortal Muse Nativity nature never Nightingale once opening original pain Paradise Lost passion pastoral picture poem poet poet's poetic poetry present question reality relation represents rhetorical Samson seems sense sensuous shows sing song soul sound spirit stanza story suggests takes thee things thou thought true truth turns understanding verse vision voice whole wild writing written