An Essay on the Genius and Writings of Pope, Volume 2J. Dodsley, 1782 |
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Page 10
... use of the heat of the fun , appear to be a puerile , and far - fetched con- ceit ? What connection is there betwixt the two forts of exceffes here mentioned ? My purpose in animadverting fo frequently , as I have done , on this fpecies ...
... use of the heat of the fun , appear to be a puerile , and far - fetched con- ceit ? What connection is there betwixt the two forts of exceffes here mentioned ? My purpose in animadverting fo frequently , as I have done , on this fpecies ...
Page 13
... use the name of the workman , instead of the work ? To mention the Hefperian apples , which the artist flung backwards , and almoft concealed as an inconfiderable object , and which therefore scarcely appear in the ftatue , was below ...
... use the name of the workman , instead of the work ? To mention the Hefperian apples , which the artist flung backwards , and almoft concealed as an inconfiderable object , and which therefore scarcely appear in the ftatue , was below ...
Page 20
... use of things , wherein their beauty is founded , and to which it is fubordinate ? The entablature and all its parts and ornaments , ar- chitrave , freeze , cornice , triglyphs , metopes , modiglions , and the reft , have each an use ...
... use of things , wherein their beauty is founded , and to which it is fubordinate ? The entablature and all its parts and ornaments , ar- chitrave , freeze , cornice , triglyphs , metopes , modiglions , and the reft , have each an use ...
Page 21
... use , or the imitation of natural things , whofe beauty is originally founded on the fame principle ? Which is in- deed , the grand distinction between Grecian and Gothic architecture , the latter being fan- taftical and for the most ...
... use , or the imitation of natural things , whofe beauty is originally founded on the fame principle ? Which is in- deed , the grand distinction between Grecian and Gothic architecture , the latter being fan- taftical and for the most ...
Page 24
... use of the druidical times , and the traditions of the old bards , which afford fubjects fruitful of the most genuine poetry , with respect both to imagery and sentiment . Mr. Gray however has made amends by his last noble ode on the ...
... use of the druidical times , and the traditions of the old bards , which afford fubjects fruitful of the most genuine poetry , with respect both to imagery and sentiment . Mr. Gray however has made amends by his last noble ode on the ...
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Common terms and phrases
Adamo Addiſon addreffed Æneid againſt alfo almoſt alſo beautiful becauſe beſt Boccacio Boileau Bolingbroke character Chaucer circumftance defign deſcription Dryden Dunciad Effay elegant Engliſh epiftle Euripides excellent expreffed expreffion exquifite faid fame fatire fays fecond feems fenfe fentiments fhall fhew finiſhed firft firſt fome fpeaks fpecies fpirit ftill ftriking ftrong fubject fublime fuch genius himſelf hiſtory Homer Horace Iliad images imitation juſt laft laſt lines Lord Lord Bolingbroke Lucretius malè manner Milton moft moſt muſt nature obferved occafion Ovid paffage paffion perfon Petrarch philofopher piece Pindar pleafing pleaſing pleaſure poem poet poetry POPE POPE's prefent publiſhed Quintilian racter reader reaſon repreſented rife ſay SCENA ſeems ſhall ſhould ſome Sophocles ſpeak ſtate Statius ſtyle ſuch Swift tafte taſte thefe theſe thofe thoſe tranflation uſe verfe verſes Virgil Voltaire whofe whoſe words writer δε και
Popular passages
Page 128 - Lo! the poor Indian, whose untutor'd mind Sees God in clouds, or hears him in the wind; His soul proud science never taught to stray Far as the solar walk, or milky way...
Page 245 - Consult the Genius of the Place in all; That tells the Waters or to rise, or fall; Or helps th...
Page 289 - I HAVE observed, that a reader seldom peruses a book with pleasure, till he knows whether the writer of it be a black or a fair man, of a mild or choleric disposition, married or a bachelor, with other particulars of the like nature, that conduce very much to the right understanding of an author.
Page 142 - Created half to rise, and half to fall: Great lord of all things, yet a prey to all; Sole judge of truth, in endless error hurl'd; The glory jest, and riddle of the world!
Page 165 - Go, from the creatures thy instructions take: Learn from the birds what food the thickets yield; Learn from the beasts the physic of the field; Thy arts of building from the bee receive; Learn of the mole to plough, the worm to weave; Learn of the little nautilus to sail, Spread the thin oar, and catch the driving gale.
Page 319 - As shallow streams run dimpling all the way. Whether in florid impotence he speaks, And, as the prompter breathes, the puppet squeaks; Or, at the ear of Eve, familiar toad, Half froth, half venom, spits himself abroad...
Page 429 - Lo! at the Wheels of her Triumphal Car, Old England's Genius, rough with many a Scar, Dragg'd in the Dust! his Arms hang idly round, His Flag inverted trails along the ground! Our Youth, all liv'ry'd o'er with foreign Gold, Before her dance; behind her crawl the Old!
Page 290 - Dipt me in ink, my parents', or my own? As yet a child, nor yet a fool to fame, I lisp'd in numbers, for the numbers came.
Page 157 - See life dissolving vegetate again: All forms that perish other forms supply; (By turns we catch the vital breath, and die) Like bubbles on the sea of Matter borne, They rise, they break, and to that sea return.
Page 176 - On what foundation stands the warrior's pride, How just his hopes let Swedish Charles decide ; A frame of adamant, a soul of fire, No dangers fright him, and no labours tire ; O'er love, o'er fear, extends his wide domain, Unconquer'd lord of pleasure and of pain ; No joys to him pacific...