Revaluation: Tradition & Development in English Poetry |
From inside the book
Results 1-3 of 26
Page 44
... opening to Book III . As it is , the point seems best enforcible ( though it should be obvious at once to any one capable of being convinced at all ) by turning to one of the exceptionally good passages for every one will agree at any ...
... opening to Book III . As it is , the point seems best enforcible ( though it should be obvious at once to any one capable of being convinced at all ) by turning to one of the exceptionally good passages for every one will agree at any ...
Page 75
... opening : 1 Is it , in heav'n , a crime to love too well ? To bear too tender , or too firm a heart , To act a Lover's , or a Roman's part ? Is there no bright reversion in the sky , For those who greatly think , or bravely die ? Enough ...
... opening : 1 Is it , in heav'n , a crime to love too well ? To bear too tender , or too firm a heart , To act a Lover's , or a Roman's part ? Is there no bright reversion in the sky , For those who greatly think , or bravely die ? Enough ...
Page 126
... opening of a Crabbe tale and a close . This is the opening of Advice ; or the ' Squire and the Priest : A wealthy lord of far - extended land Had all that pleased him placed at his command ; Widow'd of late , but finding much relief In ...
... opening of a Crabbe tale and a close . This is the opening of Advice ; or the ' Squire and the Priest : A wealthy lord of far - extended land Had all that pleased him placed at his command ; Widow'd of late , but finding much relief In ...
Other editions - View all
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less light literary living Lycidas lyrical Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth