Samuel Richardson: Passion and PrudenceValerie Grosvenor Myer The novelists of the eighteenth century are enjoying a popular, as well as a learned, revival. Chief among them is Richardson. Here an international team of brilliant scholars and critics comes together to reconsider Richardson's achievement and to assess recent approaches. |
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Page 9
... character was a romantic convention much discussed by critics in the earlier part of the eighteenth century ' ( op . cit . , p . 20 ) . This may explain the reaction , surprising to us , of Mary Hay , writing in the Monthly Magazine ...
... character was a romantic convention much discussed by critics in the earlier part of the eighteenth century ' ( op . cit . , p . 20 ) . This may explain the reaction , surprising to us , of Mary Hay , writing in the Monthly Magazine ...
Page 13
... character , who is a mere figment , but of the puppet - master behind the scenes . Dr. Johnson , who resisted the subjectivizing tendency of romanticism , saw more clearly . In Lives of the Poets we read of Rowe : The character of ...
... character , who is a mere figment , but of the puppet - master behind the scenes . Dr. Johnson , who resisted the subjectivizing tendency of romanticism , saw more clearly . In Lives of the Poets we read of Rowe : The character of ...
Page 17
... characters and the social groups they represent ; and for the vitalizing effect of Clarissa's integrity . Perhaps in one way it is easier to sympathize with her than it was for Richardson's contemporaries ; few people nowadays would ...
... characters and the social groups they represent ; and for the vitalizing effect of Clarissa's integrity . Perhaps in one way it is easier to sympathize with her than it was for Richardson's contemporaries ; few people nowadays would ...
Page 22
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Page 24
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Contents
Closetwork The Relationship between Physical and Psychological Spaces in Pamela | 21 |
CLARISSA | 39 |
Clarissa | 41 |
The Manmade World of Clarissa Harlowe and Robert Lovelace | 52 |
Subversive or Not? Anna Howes Function in Clarissa | 78 |
Triall by what is contrary Samuel Richardson and Christian Dialectic | 93 |
Anfractuous Ways | 114 |
Well Read in Shakespeare | 126 |
SIR CHARLES GRANDISON | 133 |
Sir Charles Grandison A Gauntlet Thrown Out | 135 |
THE SEXS CHAMPION | 145 |
Richardson and the Bluestockings | 147 |
Richardsons Influence on Jane Austen Some Notes on the Biographical and Critical Problems of an Influence | 165 |
Notes on Contributors | 177 |
Index | 179 |
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Aaron Hill admire Angus Wilson Anna says Anna's become Bedfordshire Belford Biography Boehme Bradshaigh brother Byrom character Charlotte Charlotte's Cheyne Christian Clarendon Press Clarissa Harlowe closet critical Dairy-house death divine Eagleton Eaves and Kimpel edition eighteenth-century English escape essay evil example Fanny Burney fear feelings female fiction Gillian Beer Harlowe Place Harriet heart heroine History human Ibid Jacob Boehme Jane Austen Jervis John Johnson Kinkead-Weekes Lady Bradshaigh letter literary live London Lovelace Lovelace's Mansfield Park Margaret Anne Doody marriage marry Milton mind Miss moral mother Natural Passion never Northanger Abbey novelist Oxford Pamela physical rape readers Richardson's novels rôle Samuel Richardson scene seems sense sexual Shakespeare Sir Charles Grandison sister social Solmes Solmes's space spiritual story suggests Terry Eagleton things Thrale Townsend truth University Press Valerie Grosvenor Myer virtue William Law woman women words writes
Popular passages
Page 17 - Why, sir, if you were to read Richardson for the story, your impatience would be so much fretted, that you would hang yourself. But you must read him for the sentiment, and consider the story only as giving occasion to the sentiment.