Biographies [of] Shakespeare, Pope, Goethe, and Schiller, and On the political parities of modern EnglandA. & C. Black, 1863 |
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Page 16
... object . Such , probably , was Milton's state of feeling towards Shakspeare after 1642 , when the theatres were suppressed , and the fanatical fervour in its noontide heat . Yet even then he did not belie his reverence intellectually ...
... object . Such , probably , was Milton's state of feeling towards Shakspeare after 1642 , when the theatres were suppressed , and the fanatical fervour in its noontide heat . Yet even then he did not belie his reverence intellectually ...
Page 31
... objects to Malone's principle of valuation . " We find , " says he , " that John Shakspeare also farmed the meadow of Tugton , containing sixteen acres , at the rate of eleven shillings per acre . Now , what proof has Mr Malone adduced ...
... objects to Malone's principle of valuation . " We find , " says he , " that John Shakspeare also farmed the meadow of Tugton , containing sixteen acres , at the rate of eleven shillings per acre . Now , what proof has Mr Malone adduced ...
Page 39
... which we , the worshippers of Shakspeare , have an interest of curiosity , but in which he , the object of our worship , has no interest of glory , we proceed to state what appears to us the result of the scanty facts SHAKSPEARE . 39.
... which we , the worshippers of Shakspeare , have an interest of curiosity , but in which he , the object of our worship , has no interest of glory , we proceed to state what appears to us the result of the scanty facts SHAKSPEARE . 39.
Page 41
... feminine gentleness of her voice and manners , exhibited under the same advantages of contrast , oftentimes combine to make See Note , p . 316 . a young cottage beauty as fascinating an object as any * 2 SHAKSPEARE 41.
... feminine gentleness of her voice and manners , exhibited under the same advantages of contrast , oftentimes combine to make See Note , p . 316 . a young cottage beauty as fascinating an object as any * 2 SHAKSPEARE 41.
Page 42
Thomas De Quincey. a young cottage beauty as fascinating an object as any woman of any station . Hence we may in part account for the great event of Shakspeare's early manhood - his premature marriage . It has always been known , or at ...
Thomas De Quincey. a young cottage beauty as fascinating an object as any woman of any station . Hence we may in part account for the great event of Shakspeare's early manhood - his premature marriage . It has always been known , or at ...
Common terms and phrases
admiration Alexander Pope amongst Anne Hathaway arose birth century character chiefly Church circumstances common connected constitution constitutional parties creed critic death Dr Johnson drama Dryden Duke Duke of Würtemberg Dunciad effect England English equally exist expressed fact father favour feeling final Frankfort French Revolution friends German Goethe Goethe's Grecian Greek Henry VII Homer honour House Iliad intellectual interest John Shakspeare Joseph Warton king labour land less letter literature Lord Lord Hervey Lord Shaftesbury Mary Arden means ment Milton mind nature never notice object original Parliament party perhaps poet poet's political Pope Pope's popular pretensions prince principles question Radical rank reader reason Reformers regard reign relation respect Schiller sense Shak Shakspeare's speak stage Stratford supposed things thought tion Toryism true Whig and Tory Whiggism whilst whole William Shakspeare word writer young
Popular passages
Page 46 - Too old, by heaven : let still the woman take An elder than herself : so wears she to him, So sways she level in her husband's heart : For, boy, however we do praise ourselves, Our fancies are more giddy and unfirm, More longing, wavering, sooner lost and worn, Than women's are.
Page 14 - Sweet Swan of Avon ! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James...
Page 43 - Shagspere, one thone ptie" [on the one party], " and Anne Hathwey of Stratford, in the diocess of Worcester, maiden, may lawfully solemnize matrimony together; and in the same afterwards remaine and continew like man and wiffe.
Page 119 - Then he instructed a young nobleman, that the best poet in England was Mr. Pope (a Papist), who had begun a translation of Homer into English verse, for which he must have them all subscribe. "For," says he, "the author shall not begin to print till I have a thousand guineas for him.
Page 72 - Shakspeare all is presented in the concrete ; that is to say, not brought forward in relief, as by some effort of an anatomical artist ; but embodied and imbedded, so to speak, as by the force of a creative nature, in the complex system of a human life ; a life in which all the elements move and play simultaneously, and with something more than mere simultaneity or- co-existence, acting and re-acting each upon the other, nay, even acting by each other and through each other. In...
Page 142 - Peace to all such ! but were there one whose fires True genius kindles, and fair fame inspires; Blest with each talent and each art to please, And born to write, converse, and live with ease : Should such a man, too fond to rule alone, Bear, like the Turk...
Page 217 - ... and it was not until the latter half of the seventeenth century that the cramping effects of monopoly were experienced.
Page 68 - I have heard that Mr Shakespeare was a natural wit, without any art at all; he frequented the plays all his younger time, but in his elder days lived at Stratford: and supplied the stage with 2 plays every year, and for that had an allowance so large, that hee spent at the Rate of al,000/ a year, as I have heard.
Page 130 - I thank God, her death was as easy as her life was innocent ; and as it cost her not a groan, or even a sigh, there is yet upon her countenance such an expression of tranquillity, nay, almost of pleasure, that it is even amiable to behold it.
Page 77 - ... mysterious ends. Man, no longer the representative of an august will — man, the passion-puppet of fate, could not with any effect display what we call a character which is a distinction between man and man, emanating originally from the will, and expressing its determinations, moving under the large variety of human impulses. The will is the central pivot of character, and this was obliterated, thwarted, cancelled by the dark fatalism which brooded over the Grecian stage.