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Then from his closing eyes thy form shall part,
And the last pang shall tear thee from his heart,
Life's idle business at one gasp be o'er,
The muse forgot, and thou beloved no more!

PROLOGUE

TO MR. ADDISON'S TRAGEDY OF CATO.

To wake the soul by tender strokes of art,
To raise the genius, and to mend the heart,
To make mankind, in conscious virtue bold,
Live o'er each scene, and be what they behold:
For this the Tragic Muse first trod the stage,
Commanding tears to stream through every age;
Tyrants no more their savage nature kept,
And foes to virtue wonder'd how they wept.
Our author shuns by vulgar springs to move
The hero's glory, or the virgin's love;
In pitying love, we but our weakness show,
And wild ambition well deserves its woe.
Here tears shall flow from a more generous cause,
Such tears as patriots shed for dying laws :
He bids your breasts with ancient ardour rise,
And calls forth Roman drops from British eyes.
Virtue confess'd in human shape he draws,
What Plato thought, and godlike Cato was :
No common object to your sight displays,
But what with pleasure Heaven itself surveys,
A brave man struggling in the storms of fate,
And greatly falling with a falling state.
While Cato gives his little senate laws,
What bosom beats not in his country's cause?
Who sees him act, but envies every deed?

Who hears him groan, and does not wish to bleed ?
Even when proud Cæsar 'midst triumphal cars,
The spoils of nations, and the pomp of wars,
Ignobly vain, and impotently great,

Show'd Rome her Cato's figure drawn in state;

As her dead father's reverend image pass'd,
The pomp was darken'd, and the day o'ercast;
The triumph ceased, tears gush'd from every eye;
The world's great victor pass'd unheeded by ;
Her last good man dejected Rome adored,
And honour'd Cæsar's less than Cato's sword.
Britons, attend3: be worth like this approved,
And show, you have the virtue to be moved.
With honest scorn the first famed Cato view'd
Rome learning arts from Greece, whom she subdued ;
Your scene precariously subsists too long
On French translation, and Italian song.

Dare to have sense yourselves; assert the stage,
Be justly warm'd with your own native rage:
Such plays alone should win a British ear,
As Cato's self had not disdain'd to hear.

SAPPHO TO PHAON.

TRANSLATED FROM OVID.

SAY, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The lute neglected, and the lyric muse;
Love taught my tears in sadder notes to flow,
And tuned my heart to elegies of woe.

I burn, I burn, as when through ripen'd corn
By driving winds the spreading flames are borne !
Phaon to Etna's scorching fields retires,

While I consume with more than Etna's fires!
No more my soul a charm in music finds;
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.

Pope had written it-"Britons, arise;" but Addison, frightened at so strong an expression, as promoting insurrection, lowered and weakened it by the word, “attend!"

8

Whom would not all those blooming charms surprise,
Those heavenly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreathe your flowing hair,
Not Bacchus' self with Phaon could compare :
Yet Phoebus loved, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame;
Nymphs that in verse no more could rival me,
Than even those gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Though great Alcæus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms denied,
Is well by wit's more lasting flames supplied.
Though short my stature, yet my name extends
To heaven itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame

Inspired young Perseus with a generous flame;
Turtles and doves of different hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be moved,
Phaon alone by Phaon must be loved!
Yet once thy Sappho could thy cares employ,
Once in her love you centred all your joy :
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear.
The fair Sicilians now thy soul inflame;
Why was I born, ye gods, a Lesbian dame?
But ah! beware, Sicilian nymphs! nor boast
That wandering heart which I so lately lost;
Nor be with all those tempting words abused,
Those tempting words were all to Sappho used.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun ?

Inured to sorrow from my tender years,
My parent's ashes drank my early tears;
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame :
An infant daughter late my griefs increased,
And all a mother's cares distract my breast.
Alas! what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling diamonds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind:
For whom should Sappho use such arts as these?
He's gone, whom only she desired to please!
For thee Aurora Cephalus might scorn,

And with fresh blushes paint the conscious morn.
For thee might Cynthia lengthen Phaon's sleep,
And bid Endymion nightly tend his sheep.
See, while I write, my words are lost in tears!
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you);
Farewell, my Lesbian love, you might have said;
Or coldly thus, Farewell, O Lesbian maid!
No tear did you, no parting word receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those powers adored by me,
And Love, the god that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had power to flow,
Fix'd in a stupid lethargy of woe:

But when its way the impetuous passion found,
I rend my tresses, and my breast I wound;

I

rave, then weep; I curse, and then complain;

Now swell to rage, now melt in tears again.

Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the funeral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears:
His hated image ever haunts my eyes,

And why this grief? thy daughter lives, he cries.
Stung with my love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night, more pleasing than the brightest day,
When fancy gives what absence takes away,
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again :
Then frantic rise, and like some fury rove
Through lonely plains, and through the silent grove ;
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the grotto, once the home of love,
The rocks around, the hanging roofs above,

That charm'd me more, with native moss o'ergrown,
Than Phrygian marble, or the Parian stone.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return:
Night shades the groves, and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaon I complain.

A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flowery lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan genius of the place:
Here as I lay, and swell'd with tears the flood,
Before my sight a watery virgin stood:

She stood and cried, "O you that love in vain!
Fly hence, and seek the far Leucadian main;
There stands a rock, from whose impending steep
Apollo's fane surveys the rolling deep;

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