Selected Poems of Alexander Pope |
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Page vii
... ESSAY ON CRITICISM THE RAPE OF THE LOCK I 2 24 • 49 • 52 ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY • ELOÏSA TO ABELARD PROLOGUE TO MR . ADDISON'S TRAGEDY OF CATO 63 MORAL ESSAYS ESSAY ON MAN EPISTLE I EPISTLE II • • EPISTLE III ...
... ESSAY ON CRITICISM THE RAPE OF THE LOCK I 2 24 • 49 • 52 ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY • ELOÏSA TO ABELARD PROLOGUE TO MR . ADDISON'S TRAGEDY OF CATO 63 MORAL ESSAYS ESSAY ON MAN EPISTLE I EPISTLE II • • EPISTLE III ...
Page xi
... Essay on Man and ignores the Elegy to an Unfortunate Lady and Eloisa to Abelard ; still further , no one understands Pope as satirist who does not feel the intensity of the emotion in the lines on Atticus and in the conclusion of the ...
... Essay on Man and ignores the Elegy to an Unfortunate Lady and Eloisa to Abelard ; still further , no one understands Pope as satirist who does not feel the intensity of the emotion in the lines on Atticus and in the conclusion of the ...
Page xiii
... essay Of Style ( 1698 ) : The last qualification I mentioned is Cadence , in Poetry called the Numbers . It consists in a disposing of the words in such order , and with such variation of periods , as may strike the ear with a sort of ...
... essay Of Style ( 1698 ) : The last qualification I mentioned is Cadence , in Poetry called the Numbers . It consists in a disposing of the words in such order , and with such variation of periods , as may strike the ear with a sort of ...
Page xxi
... Essay on the Theory of Paint- ing ( 1715 ) , " should consider what manner of handling will best conduce to the end he proposes , the Imitation of Nature , or the expressing those Raised Ideas he has conceived of possible perfection in ...
... Essay on the Theory of Paint- ing ( 1715 ) , " should consider what manner of handling will best conduce to the end he proposes , the Imitation of Nature , or the expressing those Raised Ideas he has conceived of possible perfection in ...
Page xxiv
... essay that the art of eighteenth century poetry should be approached . We must not overwork the word " formalism , " but rather remember that without form there is no art , that form is art . And behind the Classic interest in form ...
... essay that the art of eighteenth century poetry should be approached . We must not overwork the word " formalism , " but rather remember that without form there is no art , that form is art . And behind the Classic interest in form ...
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Common terms and phrases
ALEXANDER POPE Balaam beauty blessing blest charms Colley Cibber Court Critics Dæmons divine Dryden Duke Dunciad e'er Earl of Burlington ease eighteenth century Epistle Essay on Criticism ev'n ev'ry eyes fair fame fate flow'rs Folly fool gen'ral gen'rous genius give glory Gnome grace happy heart Heav'n honour Horace King knave laws learn'd live Lord Lord Bolingbroke Lord Fanny Lord Hervey lov'd mankind mind Moral Essays Muse Nature ne'er never numbers nymph o'er once painted Passion pleas'd pleasure poem Poet poetry Pope Pope's pow'r praise pray'r pride proud Queen rage Reason rhyme rich rise rules Sappho Satire Scriblerus Club Self-love sense shine soul spirit Sylphs taste tears Thalestris thee things thou thought thro tremble Truth verse Vice Virtue Walpole Warburton Whig whole Wife wise write
Popular passages
Page 74 - Lives through all life, extends through all extent, Spreads undivided, operates unspent : Breathes in our soul, informs our mortal part, As full, as perfect, in a hair as heart; As full, as perfect, in vile man that mourns, As the rapt seraph that adores and burns : To him no high, no low, no great, no small ; He fills, he bounds, connects, and equals all.
Page 13 - The sound must seem an echo to the sense : Soft is the strain when Zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse, rough verse should like the torrent roar : When Ajax strives some rock's vast- weight to throw, The line too labours, and the words move slow ; Not so, when swift Camilla scours the plain, Flies o'er th' unbending corn, and skims along the main.
Page 35 - Who gave the ball or paid the visit last; One speaks the glory of the British Queen, And one describes a charming Indian screen; A third interprets motions, looks, and eyes: At every word a reputation dies.
Page 155 - Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer; Willing to wound, and yet afraid to strike, Just hint a fault and hesitate dislike...
Page 66 - AWAKE, my St. John ! leave all meaner things To low ambition and -the pride of kings. Let us (since life can little more supply Than just to look about us and to die...
Page 30 - Favours to none, to all she smiles extends; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike. Yet graceful ease, and sweetness void of pride 15 Might hide her faults, if Belles had faults to hide: If to her share some female errors fall, Look on her face, and you'll forget 'em all.
Page 118 - I give and I devise" (old Euclio said, And sigh'd) "my lands and tenements to Ned." Your money, Sir? "My money, Sir! what, all? Why,— if I must— (then wept) I give it Paul.
Page 1 - Happy the man*, whose wish and care A few paternal acres bound, Content to breathe his native air In his own ground. Whose herds with milk, whose fields with bread, Whose flocks supply him with attire, Whose trees in summer yield him shade, In winter, fire.
Page 43 - Ease, pleasure, virtue, all our sex resign. Methinks already I your tears survey, Already hear the horrid things they say, Already see you a degraded toast, And all your honour in a whisper lost ! no How shall I then your helpless fame defend? 'Twill then be infamy to seem your friend ! And shall this prize, th...
Page 116 - Wharton, the scorn and wonder of our days, Whose ruling Passion was the Lust of Praise; Born with whate'er could win it from the Wise, Women and Fools must like him or he dies; Tho' wond'ring Senates hung on all he spoke, The Club must hail him master of the joke.