A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of Language and Style; the Elements of Taste and Criticism; with Rules for the Study of Composition and Eloquence ... |
From inside the book
Results 1-5 of 91
Page x
... never to jumble meta- phorical and plain Language together • 149 150 151 Never make two different Metaphors meet on one Object Addison's Rule for examining the Propriety of Metaphors . Metaphors must not be too far pursued CHAPTER III ...
... never to jumble meta- phorical and plain Language together • 149 150 151 Never make two different Metaphors meet on one Object Addison's Rule for examining the Propriety of Metaphors . Metaphors must not be too far pursued CHAPTER III ...
Page xv
... Never to set apart a Head of a Discourse in form , for raising any Passion 282 ibid 283 ibid The difference between showing the Hearers that they ought to be moved , and actually moving them · · The only effectual Method is , to be ...
... Never to set apart a Head of a Discourse in form , for raising any Passion 282 ibid 283 ibid The difference between showing the Hearers that they ought to be moved , and actually moving them · · The only effectual Method is , to be ...
Page 27
... never saw before , or speak about an object with which we are not intimately acquaint- ed , the first thing which we do to distinguish or ascertain it , is , to refer to its species , or to class it with some other objects of its spe ...
... never saw before , or speak about an object with which we are not intimately acquaint- ed , the first thing which we do to distinguish or ascertain it , is , to refer to its species , or to class it with some other objects of its spe ...
Page 39
... never , on any account , to be reversed . 2. But if use be of such consequence in this matter , before ad- vancing any farther , let us endeavour to ascertain precisely what it is , as it would otherwise be erroneous to agree about the ...
... never , on any account , to be reversed . 2. But if use be of such consequence in this matter , before ad- vancing any farther , let us endeavour to ascertain precisely what it is , as it would otherwise be erroneous to agree about the ...
Page 45
... never ́ad- mits a different sense , both perspicuity and variety require , that the form of expression be preferred , which , in every instance , is strictly univocal . Examples . By consequence , meaning consequently , is preferable to ...
... never ́ad- mits a different sense , both perspicuity and variety require , that the form of expression be preferred , which , in every instance , is strictly univocal . Examples . By consequence , meaning consequently , is preferable to ...
Contents
177 | |
181 | |
187 | |
194 | |
200 | |
209 | |
216 | |
222 | |
48 | |
54 | |
55 | |
61 | |
74 | |
80 | |
86 | |
93 | |
103 | |
106 | |
112 | |
118 | |
125 | |
131 | |
137 | |
144 | |
149 | |
171 | |
229 | |
239 | |
245 | |
253 | |
259 | |
267 | |
273 | |
279 | |
282 | |
288 | |
295 | |
303 | |
309 | |
315 | |
321 | |
329 | |
336 | |
342 | |
Other editions - View all
A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of ... Alexander Jamieson No preview available - 2018 |
A Grammar of Rhetoric, and Polite Literature: Comprehending the Principles ... Alexander Jamieson No preview available - 2017 |
A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of ... Alexander Jamieson No preview available - 2017 |
Common terms and phrases
action admit adverbs agent agreeable allegory Amphibrach Analysis ancient appear attention beauty character chiefly Cicero circumstances common comparison composition Corol criticism Dean Swift degree Demosthenes denote discourse distinguished effect elegance emotion employed English epic epic poetry Example expression figure former frequently genius give grace Greek hath hearers Hence Homer ideas Iliad Illus imagination imitation impression instance Julius Cæsar kind language Lord Bolingbroke manner meaning melody merit metaphors mind nature never nouns objects obscure observe orator ornament Ossian Paradise Lost passion pause period person perspicuity phrases pleasure poem poet poetical poetry precision preposition principles pronouns proper propriety prose qualities reader reason resemblance rule Scholia Scholium sense sensible sentence sentiments signify simplicity sometimes sound speaker speaking species speech Spondee style sublime substantive syllables taste tence things thou thought tion tone trochees verb verse Virgil virtue words writing
Popular passages
Page 199 - Should such a man, too fond to rule alone. Bear, like the Turk, no brother near the throne; View him with scornful, yet with jealous eyes, And hate for arts that caused himself to rise; Damn with faint praise, assent with civil leer, And without sneering, teach the rest to sneer...
Page 184 - tis slander; Whose edge is sharper than the sword; whose tongue Outvenoms all the worms of Nile ; whose breath Rides on the posting winds, and doth belie All corners of the world : kings, queens, and states. Maids, matrons, nay, the secrets of the grave This viperous slander enters.
Page 175 - fair light, And thou enlighten'd earth, so fresh and gay, Ye hills, and dales, ye rivers, woods, and plains, And ye that live and move, fair creatures, tell, Tell, if ye saw, how came I thus, how here?
Page 162 - The music of Carryl was, like the ." memory of joys that are past, pleasant and
Page 138 - Sweet is the breath of morn, her rising sweet, With charm of earliest birds; pleasant the sun, When first on this delightful land he spreads His orient beams, on herb, tree, fruit, and flower, Glistering with dew; fragrant the fertile earth After soft showers; and sweet the coming on Of grateful evening mild...
Page 133 - With many a weary step, and many a groan, Up the high hill he heaves a huge round stone ; The huge round stone, resulting with a bound, Thunders impetuous down, and smokes along the ground.
Page 326 - To hear the lark begin his flight, And singing startle the dull night, From his watch-tower in the skies, Till the dappled dawn doth rise...
Page 307 - How lov'd, how honour'd once, avails thee not, To whom related, or by whom begot ; A heap of dust alone remains of thee, 'Tis all thou art, and all the proud shall be ! Poets themselves must fall, like those they sung, Deaf the prais'd ear, and mute the tuneful tongue.
Page 119 - From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
Page 307 - WHEN all thy mercies, O my God, My rising soul surveys, Transported with the view I'm lost In wonder, love, and praise...