Works, Volume 23D. Estes, 1989 |
From inside the book
Results 1-3 of 80
Page 62
... true colors , scenery distant more than two or three miles in full day- light . The deepest shadows are whiter than white paper . § 9. As , however , we pass to nearer objects , true repre- sentation gradually becomes possible ; -to ...
... true colors , scenery distant more than two or three miles in full day- light . The deepest shadows are whiter than white paper . § 9. As , however , we pass to nearer objects , true repre- sentation gradually becomes possible ; -to ...
Page 87
... true head of Pre - Raphaelit- ism . You shall see the spots of the trout lying dead on the rock in his foreground ... true Pre - Raphaelite work and its imitations . The true work represents all objects exactly as they would appear in ...
... true head of Pre - Raphaelit- ism . You shall see the spots of the trout lying dead on the rock in his foreground ... true Pre - Raphaelite work and its imitations . The true work represents all objects exactly as they would appear in ...
Page 169
... true mountains than in elevated downs or plains , through which winding valleys , more or less deep , are cut by the action of the streams . § 4. It has been said that this group of rocks is dis- tinguished by its incapability of being ...
... true mountains than in elevated downs or plains , through which winding valleys , more or less deep , are cut by the action of the streams . § 4. It has been said that this group of rocks is dis- tinguished by its incapability of being ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole