Works, Volume 23D. Estes, 1989 |
From inside the book
Results 1-3 of 42
Page 62
... shadows gray purple , and its sunlit parts greenish . Then the darkest part of the mountain was lighter than pure white paper , held up- right in full light at the window , parallel to the direction in which the light entered . And it ...
... shadows gray purple , and its sunlit parts greenish . Then the darkest part of the mountain was lighter than pure white paper , held up- right in full light at the window , parallel to the direction in which the light entered . And it ...
Page 69
... shadow , and allow it to fall or rise in sympathy with the light ; and those especially whose object it is to represent sunshine , nearly always reinforce their local colors somewhat in the shadows , and keep them both fainter and ...
... shadow , and allow it to fall or rise in sympathy with the light ; and those especially whose object it is to represent sunshine , nearly always reinforce their local colors somewhat in the shadows , and keep them both fainter and ...
Page 283
... shadow of the spectator's head . * And attention or cal- culation of this abstract kind Turner appears to have been utterly ... shadows by the shape of what they fall on , as well as what they fall from , renders the law of connection ...
... shadow of the spectator's head . * And attention or cal- culation of this abstract kind Turner appears to have been utterly ... shadows by the shape of what they fall on , as well as what they fall from , renders the law of connection ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole