Works, Volume 23D. Estes, 1989 |
From inside the book
Results 1-3 of 57
Page 46
... observe especially the pecu- liar depression in the middle of its surface , and compare ute to the effect of the whole ; whereas in the natural landscape there is a redundancy which impresses only as redundance , and often an occurrence ...
... observe especially the pecu- liar depression in the middle of its surface , and compare ute to the effect of the whole ; whereas in the natural landscape there is a redundancy which impresses only as redundance , and often an occurrence ...
Page 124
... observe , in order to bring the world into the form which it now bears , it was not mere sculpture that was needed ; the mountains could not stand for a day unless they were formed of materials altogether differ- ent from those which ...
... observe , in order to bring the world into the form which it now bears , it was not mere sculpture that was needed ; the mountains could not stand for a day unless they were formed of materials altogether differ- ent from those which ...
Page 184
... observe ; nor is it possible thus to observe them without an instinctive reference to the first state out of which they have been brought . The existing torrent has dug its bed a thousand feet deep . But in what form was the mountain ...
... observe ; nor is it possible thus to observe them without an instinctive reference to the first state out of which they have been brought . The existing torrent has dug its bed a thousand feet deep . But in what form was the mountain ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole