Works, Volume 23D. Estes, 1989 |
From inside the book
Results 1-3 of 41
Page 73
John Ruskin. this relation of the white object to other objects not white , Leonardo has wholly deprived himself of the power of expressing ; while , if the cloth were black or dark , much more has he erred by making its lights white ...
John Ruskin. this relation of the white object to other objects not white , Leonardo has wholly deprived himself of the power of expressing ; while , if the cloth were black or dark , much more has he erred by making its lights white ...
Page 75
... object is simply to look what its color is in high light , and put that safely down , if possible ; or , if you are making a chiaroscuro study , to take the gray answering to that color , and cover the whole object at once with that ...
... object is simply to look what its color is in high light , and put that safely down , if possible ; or , if you are making a chiaroscuro study , to take the gray answering to that color , and cover the whole object at once with that ...
Page 306
... objects , " but it is . also true that Nature , never intending the eye of man to be without delight , has provided a ... object in his picture , vegetation and all , of one dull gray and brown , has actually ren- dered it impossible for ...
... objects , " but it is . also true that Nature , never intending the eye of man to be without delight , has provided a ... object in his picture , vegetation and all , of one dull gray and brown , has actually ren- dered it impossible for ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole