Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 39
... mind . And now , once for all , let it be clearly understood that an " impression on the mind " does not mean a piece of manufacture . The way in which most artists proceed to " invent , " as they call it , a picture , is this : they ...
... mind . And now , once for all , let it be clearly understood that an " impression on the mind " does not mean a piece of manufacture . The way in which most artists proceed to " invent , " as they call it , a picture , is this : they ...
Page 405
John Ruskin. ated with indecency , partly with general fatuity and weakness of mind . The men who applauded loudest ... minds . Among the many signs of this decay at its uttermost , in " Castle Danger- ous , " not one of the least notable ...
John Ruskin. ated with indecency , partly with general fatuity and weakness of mind . The men who applauded loudest ... minds . Among the many signs of this decay at its uttermost , in " Castle Danger- ous , " not one of the least notable ...
Page 410
... mind of the painter of this missal , and it possesses these in complete abstraction from nearly all others , showing , in deadly purity , the nature of the venom which in ordinary cases is tempered by counter- acting elements . There ...
... mind of the painter of this missal , and it possesses these in complete abstraction from nearly all others , showing , in deadly purity , the nature of the venom which in ordinary cases is tempered by counter- acting elements . There ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole