Works, Volume 23D. Estes, 1989 |
From inside the book
Results 1-3 of 86
Page 55
... light as much as the sun sur- passes white paper . " I found that this part of the book was not well understood ... light falling upon them , front lights being unfavor- able to nearly all drawing . Therefore the highest light Part III ...
... light as much as the sun sur- passes white paper . " I found that this part of the book was not well understood ... light falling upon them , front lights being unfavor- able to nearly all drawing . Therefore the highest light Part III ...
Page 68
... light that falls on it ; and the nature of such a color is best understood by considering it as a piece of portable night . Now , of course , the higher you raise the daylight about this bit ... light ; for in utter 68 OF TURNERIAN LIGHT .
... light that falls on it ; and the nature of such a color is best understood by considering it as a piece of portable night . Now , of course , the higher you raise the daylight about this bit ... light ; for in utter 68 OF TURNERIAN LIGHT .
Page 69
... light , and the contrast is feebly discernible ; admit more , it is dis- tinctly discernible . But you cannot increase the con- trast beyond a certain point . From that point the red and white for some time ... lights OF TURNERIAN LIGHT . 69.
... light , and the contrast is feebly discernible ; admit more , it is dis- tinctly discernible . But you cannot increase the con- trast beyond a certain point . From that point the red and white for some time ... lights OF TURNERIAN LIGHT . 69.
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole