Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 62
... landscape ( with a little opaque white mixed in the tints you use , so as to render it easy to lighten or darken them ) . Take care not to imitate the tint as you believe it to be , but accurately as it is ; so that the colored edge of ...
... landscape ( with a little opaque white mixed in the tints you use , so as to render it easy to lighten or darken them ) . Take care not to imitate the tint as you believe it to be , but accurately as it is ; so that the colored edge of ...
Page 366
... landscape : - " If he is to draw a landscape from nature , let him take his station on a rising ground , where he will have a large horizon , and mark his tablet into three divisions , downwards from top to the bottom ; and divide in ...
... landscape : - " If he is to draw a landscape from nature , let him take his station on a rising ground , where he will have a large horizon , and mark his tablet into three divisions , downwards from top to the bottom ; and divide in ...
Page 427
... landscape in- stinct ; yet I know it is not idiosyncrasy , in so far as there may be proved to be indeed an increase of the ab solute beauty of all scenery in exact proportion to its mountainous character , providing that character be ...
... landscape in- stinct ; yet I know it is not idiosyncrasy , in so far as there may be proved to be indeed an increase of the ab solute beauty of all scenery in exact proportion to its mountainous character , providing that character be ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole