Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 192
... force must have been analo- gous either to the light and sharp blow of the hammer with which one breaks a stone into two pieces as it lies in the hand , or the parting caused by settlement under great weight , like the cracks through ...
... force must have been analo- gous either to the light and sharp blow of the hammer with which one breaks a stone into two pieces as it lies in the hand , or the parting caused by settlement under great weight , like the cracks through ...
Page 200
... force was it that put its fingers between one bed of limestone 600 feet thick and the next beneath ? If you try to break the biscuits by a blow from above , ob- serve the necessary force of your blow , and then con- ceive , if you can ...
... force was it that put its fingers between one bed of limestone 600 feet thick and the next beneath ? If you try to break the biscuits by a blow from above , ob- serve the necessary force of your blow , and then con- ceive , if you can ...
Page 347
... force as it escapes from con- finement . For a stream coming down a ravine is kept by the steep sides of its channel in concentrated force : but it no sooner reaches the bottom , and escapes from its ravine , than it spreads in all ...
... force as it escapes from con- finement . For a stream coming down a ravine is kept by the steep sides of its channel in concentrated force : but it no sooner reaches the bottom , and escapes from its ravine , than it spreads in all ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole